Showing posts with label screenplay. Show all posts
Showing posts with label screenplay. Show all posts

02 January 2015

27-Step Tutorial: How Do I Plot a Novel, Memoir, Screenplay

The original The 27-Step Tutorial: How Do I Plot a Novel, Memoir, Screenplay?, viewed over 160,000 times, sprang out my passion for teaching plot, my first book Blockbuster Plots Pure and Simple  and all the workshops and retreats and conferences I've taught.

I was offered a contract to write The Plot Whisperer: Secrets of Story Structure Any Writer Can Master mid-way through filming that series and the tutorial helped shaped that book. As one 5-Star reviewer commented on Amazon: An understanding of the plot development trajectory of classic and award-winning stories reveals an "undeniably consistent pattern - the bones that make up the skeleton of virtually every irresistible tale." 

The reviewer goes on to say: "As a former educator [Alderson] is adept at moving students beyond abstract concept to the tangible and concrete. For me it was like the plotting lightbulb flickered from 15 incandescent watts to 200 halogen. Amazing and totally exhilarating!

Because of the series popularity, I felt you deserved less external distractions and a cleaner presentation.

I'm re-filming the series now. If you'd like to follow along as I film all 27 steps to plotting a novel, memoir, screenplay, I'm offering a beta-membership in mid-January.

COMING SOON!
All Inclusive Special Offer
$9.99 
2015 Plot Whisperer Beta-Membership includes BOTH: 
  • 27-Step Tutorial: How Do I Plot a Novel, Memoir, Screenplay Video Program
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For plot help and resources throughout the year:
1) The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories
2)  The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3)  The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing

Click for the New and Improved version PlotWriMo

01 December 2014

Day #1 -- Blog Tour for PlotWriMo: Revise Your Novel in a Month

When: Starting today and running daily through Friday, Dec. 5th

What: Blog Tour for PlotWriMo: Revise Your Novel in a Month offers tips and ideas for revising your story. Visit new blogs and meet new writers (we'd love you to tweet about your experience on the tour and use the hashtag #PlotWriMo).

Who: All writers interested in or needing help revising your stories, including writers word-drunk from NaNoWriMo.

Where: Today's 3 participating blogs, please visit and comment to enter to win an observation spot in an upcoming Office Hours.

Writing Classes for Kids and Adults
Ink and Angst Writers of Nefarious Plots
Rebecca Lacko - The Written Word
Taffy's Writings

Why: Revising a novel, memoir, screenplay can be a daunting prospect. PlotWriMo: Revise Your Novel in a Month offers tried and true methods that have worked for hundreds of writers (for more about PlotWriMo AND "ah ha" moments from writers who have or are currently viewing the video series, click HERE).

For plot help and resources throughout the year

1)  The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories
2)  The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3)  The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.
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For as little as $10 a month, watch the videos as often as you wish for an entire year (and, lots of writers are finding PlotWriMo the exact right resource to help pre-plot for a powerful first draft. Knowing what to look for in a revision helps create a tighter first draft):


 ~~ View your story in an entirely new light. Recharge your energy and enthusiasm for your writing. 8 videos (5.5 hours)+ 30 exercises

22 October 2014

How to Write Even When You Feel Uninspired and Down

Every writer I know, it seems, is either preparing now to write a fast draft during NaNoWriMo, has a jump-start on November by speed-writing now to finish by the end of the year or has given up.

With novels anywhere from 50,000 (slight) to over 100,000 words, writing a fast draft gets you to the end faster. Problem at that point is knowing you're not finished -- not by a long-shot.

One of the biggest shocks for novelists just starting out is the realization they may have to write more than one draft -- several even. You get the end of draft 1 euphoric, only to understand how much work is still left to be done. You want it to be over. You want your story perfect in the next rewrite. You even work through all 30 exercises and 5.5 hours of video instruction during PlotWriMo, revision your entire story, only to rewrite again. And perhaps again and again.

Begin now by accepting that the fast draft you write now, you may have to rewrite all those thousands of words again later. Then put your head down and get to writing. Finish by the end of the year.

Writing a fast draft demands consistent and powerful writing.

Consistent writing is a tough one to achieve for writers who insist they can only write when they’re inspired to write. Consistent writing means showing up  to write whether you're inspired or dull, frightened or brave, energetic or lazy. You show up and write anyway.

A consistent writing regime is helpful, especially so writing a fast draft. A tight deadline of a month facilitates fast writing -- no time for procrastination, no time to wait for inspiration. Every spare moment must be devoted to writing or pre-plotting to succeed at completing a fast draft in a month.

Today I write! Rather, today I pre-plot for NaNo!

For pre-plotting tips and tricks and how to write a novel in a month, check out my Plot Whisperer books: 

1)  The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories
2)  The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3)  The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.
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To continue writing and revising:

16 October 2014

Pre-NaNoWriMo Pre-Plotting Tip for the Middle and End of the Novel

When thinking / pre-plotting your story for NaNoWriMo, keep in mind that the middle is more than an exotic world of the antagonists and to create conflicts and challenges for the protagonist. Yes, the dilemmas and setbacks she endures in the middle provide drama and page-turnability.

The struggles to survive and go forward also hold the gifts of new skills and abilities that will serve her well at the climax as she begins to adapt her thinking to the demands of her new reality.

In resisting the changes required of her in the middle to succeed, she struggles. After the crisis / dark night around the 3/4 mark of the story, she becomes conscious of all that has come before. In that new light, she understands the strength and courage she's gained in her suffering and the freedom afforded her.

That way, in the middle of next month, when you're floundering for depth in your writing, you'll find these notes for scene expansion opportunities. And, by the end of the month, when you're exhausted and spent, you'll have scene ideas how best to show the integration of these new skills and beliefs.

For more tips and tricks to pre-plotting and writing a novel in a month, check out my Plot Whisperer books: 
1)  The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories
2)  The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3)  The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.

Today I write! Rather, today I pre-plot for NaNo!
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To continue writing and revising:

10 October 2014

New Ideas on How to Plot and Write the Middle of a Novel

I talk about the Middle of a novel, memoir, screenplay as an exotic world ruled by the antagonists. Both an exotic world and antagonists provide lots of scene opportunities while also creating and building rising tension, suspense, excitement and curiosity to replicate the energy of the Universal Story and keep the reader engaged.
A couple of years ago, based on novels, memoirs and screenplays I've deconstructed, I posted the following 8 tips how to keep the story moving forward and create page-turnability throughout the middle of your story.

1) call in the antagonists
2) create an exotic world
3) begin middle with overarching conflict or suspense plot point
4) ask yourself: because that happens, what happens next?
5) add a great subplot(s)
6) know the crisis
7) know the climax
8) begin filling in and deepening character flaw

Many of these tips rely on tension to create an energetic forward momentum.

Then, I delighted in watching Chef, a comedy-drama film written, produced and directed by Jon Favreau, create the same rising energy of the Universal Story without any or rather with only one antagonist.

The music, the pacing, the crowds, the dialogue, the love kept amping up the energy of the middle as effectively albeit more light-heartedly than all the usual negativity created by antagonists interfering with the protagonist's forward movement to her goal.

The overarching dramatic question developed at the beginning of the middle of the film pulls us forward though the external dramatic action in each scene keeps us connected, engaged and enchanted.

For an in-depth resource to all the questions to ask about how to write the middle of your story, refer to The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories.

Today I write!
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For pre-plotting ideas and how to write a fast first draft:

1) Re-read the The Plot Whisperer: Secrets of Story Structure Any Writer Can Master book and follow the instructions how to pre-plot your story

3) Complete all the exercises and fill in all the templates (plot planners included) in The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories 

4) Forget next month for now and enjoy this month writing or revising what you're currently working on and take with you into next month The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing for daily prompts to guide you how to write a story with a plot from beginning to end.
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To continue writing and revising and looking for plot help:

24 September 2014

Above the Plot Planner Line: How to Test Pacing and Tension in Stories

When I'm not required to take notes in a Plot Consultation, I often create a mini-Plot Planner for myself to better "see" a writer's story and visually plot and follow along as she recounts scenes.

I cringe when I find the 2nd scene takes place around the dinner table with no conflict, tension, suspense or curiosity and the protagonist in control. Hating to write a scene under the Plot Planner line so early in the story, I celebrate when instead, I'm able to pop that same scene above the line because of what happens toward the end of the action.

The slow dinner scene ends with an object foreshadowed in a prior scene falling and threatening to expose the protagonist's secret, lie, irresponsibility, thus showing the protagonist no longer in control. His fear takes over thus moving this scene from quiet and safe to fraught with tension which earns the scene a place above the Plot Planner line. The short sense of normalcy (how the family interacts provides a glimpse into his backstory) offers us plenty of opportunities to compare who he projects himself when feeling safe and supported versus who he shows himself to be when stressed and uncertain.

Drawing a line by cause and effect, connecting one scene neatly to the next, I find nearly every scene is above the line in the first quarter of her story, proving to me that her promise to her reader is true -- this story is filled with external dramatic action and lots of ensuing chaos and mayhem, a page-turner, on the edge-of-your-seat-with-excitement sort of story, one any middle grade boy would be left clamoring for more.

Test your scenes by placing them one-by-one on a Plot Planner either above or below the line. Stand back and objectively assess the number and placement of slower, quieter scenes in relationship to more tension-filled, exciting scenes.

Today I write.
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For plot help:
Read my Plot Whisperer books for writers

Watch Plot Video Workshops Series:
Facebook group ask questions that come up in either series and share your progress.

04 September 2014

How to Show Character Emotion beyond the Cliched

Often in real life and news reports, we witness spontaneous and raw emotion. Not something we're privy to much in our everyday lives, having been taught to control our emotions as demonstrated by our show of emotional development and maturity.

Many shy away from bearing witness to some of the most raw and painful shows of emotion -- rage, sorrow, jealousy, aggression, grief. Some judge shows of spontaneous and raw emotion childish / dangerous / uncomfortable. Buck up, we're taught. Everyone feels pain. Grow up. Get over it.

Yet, in those shared moments of emotional truth rather than skimming along on the surface of life, the spontaneous and raw emotion pulls us deeper and connects us primally and universally to all of life.

Convey that universality through the truth of your  character's emotional reaction in such a way as to elicit the shared emotion in your reader and move your audience and you've create fans for life.

Plot Tip:
Feel what you need to feel.

Let your characters feel what they need to feel.

Remove the mask. Feel. Identify what and why and how that feeling shows itself in you and in others. When you're in the throes of true emotion, jot down the physical and emotional and spiritual reactions the emotion draws up in you. With your findings, create your own emotional notebook. Search beyond the cliched emotional reactions to the truth of what you see and feel and hear and touch and taste and know to be true when experiencing real emotion.

Today I write!
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For more: Read my Plot Whisperer and Blockbuster Plots books for writers.
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Need more help with your story? 

  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
PlotWriMo help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.

PlotWwiMo: REVISE YOUR NOVEL IN A MONTH
PlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises

04 August 2014

A Compelling Concept Elicits: Tell Me More!

A writer asks about what concept to bring forward in the Concept, Logline, Pitch Workshop this weekend (8/9/14). She has several novels in-progress and complete (are our stories ever really complete? The longer we take to finish, the more time we have to grow and change which ultimately servers to deepen and enrich our work).

Her heart's desire speaks of something else entirely.

I explain about Saturday's workshop, you'll have 5 minutes in the morning and 5 minutes in the afternoon. You want to have a concept ready to go (watch the free Video #1 and also helpful is Video #3 in PlotWriMo: Revise Your Novel in a Month video series) so you can spend as much of the time allotted to you listening to Jill's feedback without feeling the need to defend yourself -- simply to listen and absorb what she says. She's really quite amazing at this. 

You'll be listening to so many other pitches that you'll begin to glean the method to creating them. So, I don't think it matters which story you pick as much as really perfecting your concept before pitching it to Jill Saturday.

About choosing which story to pitch, I share a painful learning experience from some pretty nasty reviews on Amazon for the Plot Whisperer: Secrets of Story Structure Any Writer Can Master book. You have to buck up and take it when you write outside the norm. I actually wasn't prepared for some of the more personal attacks and the lesson has been a tough one and very valuable for me to learn.

If we let our fear of exposure limit us and we back down, new ideas can't take flight. If not by you, the story goes unwritten.

A compelling concept elicits from your friends, readers, agents, editors, reviewers, audiences and fans: Tell me more!

Today I write.
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For more: Read my Plot Whisperer and Blockbuster Plots books for writers.

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Need more help with your story? 
  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
We can help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.

1st video (43 minutes of direct instruction + exercises for your own individual story) FREE
PlotWwiMo: REVISE YOUR NOVEL IN A MONTH - TrailerPlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises total

10 June 2014

A Soul Shattering Tip How to Plot the End of Your Novel, Memoir, Screenplay

October 17, 1989, at 5:04:15 p.m. (PDT), the epicenter of a magnitude 6.9 earthquake hit nearly smack in my garden. The doorframe I clutched shifted erratically, the floor beneath me shook, the house creaked and moaned and all water in the little neighborhood pool rose up into the air and broke over the side. As Robert Page, U.S. Geological Survey writes of the event:

"It was a wakeup call to prepare for the potentially even more devastating shocks that are inevitable in the future."

That's sort of like what happens to the protagonist when hit by the Crisis around the three quarter mark of your story. The ground shakes, uncovering all illusions about herself and the world around her, leaving her blinded by the truth of her own insignificance.

What truly defines the protagonist is what she does after the crisis. From one extreme of intense vulnerability to another of shame and discomfort WHILE also knowing she had a part to play in her own demise AND that the crisis is merely a wakeup call to prepare her for the potentially even more devastating shocks that are inevitable in the future.

Her motivation must be strong and meaningful to go forward in the face of such torment. So much easier to get lost in the haze of addictions and self-loathing… oh, that's the human condition. For your protagonist, there is no stopping beyond a spell of reflection, gathering resources and allies and letting go of everything that no longer serves her.

At the point she steps over into the last quarter of the story to gain her true freedom, the End begins. 

Along the way on her ascent to the Climax, quake your story with some of those inevitable and more devastating aftershocks. Entering the End she's wobbly, uncertain, and highly vulnerable. Her emotions are at their peak. The hits give her chances to stretch beyond who she was beforethe crisis, come into mastery or at least a firm grip of all the lessons and knowledge she's gained and prepare her for the Climax where she demonstrates who she is becoming.
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Need more help with your adult, young adult, middle grade, picture grade story? 
  • Ready for a massive rewrite? Re-vision first!
  • Confused about what you're really trying to convey in your story?
  • Lots of action, no character development? Lots of character development and no action?
  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
"I didn't know what I didn't know," says one cozy mystery writer after watching the videos (more reviews on Vimeo). View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.

1st video (43 minutes of direct instruction + exercises for your own individual story) FREE
PlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises total

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For more: Read my Plot Whisperer and Blockbuster Plots books for writers.

06 May 2014

Finish that Draft of Your Story Now

You started 2014 with the best intentions to write / finish your novel, memoir, screenplay. Now you're faltering with serious doubts that all this time and effort is going to "pay off" (add your own personal pay off here). Rather than write, which makes you feel good about yourself and life at large when you do, you beat yourself up instead with words and a tone you'd never sling at anyone other than yourself.

Forget all that.  Instead, dig out that old story you threw in the bottom drawer of your filing cabinet, resuscitate an old story you never quite wrote all the way to the end or simply recommit to the one right in front of you you've been working on all year. Fast write. Finish up the draft you're writing now… in one week.

You can do this -- finish writing your story in a week. Slap words and ideas on the page. Forget about plot perfect. That comes later. For now, all we're looking for is a draft from the beginning all the way through to the end.

Every December for the past six years, I've dedicated the Plot Whisperer blog to helping writers ready for a major revision and for those who simply wish to improve the plot of their stories. I am thrilled about the unveiling of the new and improved PlotWriMo next week. Now, rather than ask you to follow daily exercises to re"vision" and redefine the plot arc, character and meaning of your story, plus story concept and every word perfect during the busiest time of the year, you'll soon be able to revise your story anytime you wish. More about all that later. For now?

Write. Everyday. Not sure what comes next? Write anyway. Feeling so bored by your own story you can't bear the thought of sitting down and writing it? Twist the story in an entirely new direction. Be audacious. Have fun. Write. And finish. All the way to the end.

I'll talk you though this. For now, write.

I cut and paste below a blog post from last year with tips how to write in the zone.

When you’re in the flow of your writing, words and ideas come to you effortlessly. You don’t second-guess yourself. You’re not timid and paranoid about your ability to persevere.


Writing fast encourages writing in the zone. Lose yourself for one week and then you’re free to revision all you've written and shape all those thousands of words into a story your readers will love.

Being in the zone means your ego-driven mind disappears, your mind quiets and your imagination is free to flow onto the page. Your awareness shifts from your fears and worries, your to-do lists and the who-do-I-think-I-am-to-take-all-this-time-to-write-a-story? stories in your mind and your negative beliefs about your writing. No longer in the cramped and squeezed space under a heavy burden, lift yourself up by giving your story your complete and full concentration and attention to finish in one week.

The more challenging your writing, the more energized and focused and emotionally gratified by your writing you become. When you’re in the zone whether for hours or for minutes, the quality and intensity of the writing are at their greatest and you write mostly by feel and intuition and heart.

17 Tips for Slipping into and Staying in the Zone
1) Regular exercise
2) Good diet
3) Plenty of sleep
4) Drink lots of water
5) Establish a daily writing routine
6) Clear this week on your calendar -- no appointments or errands or outside demands (as much as possible)
6) Give yourself a clear and realistic daily writing goal -- push yourself to write longer every day
7) Decide where and when you’ll write daily with a minimum of distractions and interruptions.
7) Every thirty minutes stand up and stretch and breath deeply. Then sit down to write again
8) Give yourself at least a half an hour to get into the flow. Then, if you find your energy slipping switch to writing the next scene (If you’re stumped about what scene to write next, refer to The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing (all the way to the end).
9) Keep your pre-plot Plot Planner in sight and often refer to the handy guide.
10) Take risks with your writing. Be bold. Stretch yourself in your daily practice and continue studying the craft of writing.
11) Acknowledge when a limiting belief swamps your mind and ask yourself what you are most afraid of. Ask yourself what your writing would be like unconstrained by insecurity, anxiousness and fear Continually and intentionally direct your thoughts back to your writing in a one-pointed focus of attention to the scene in front of you
12) Write regularly to create a writing habit
13) Rather than concentrate on what isn’t working in your story or look too far into the future with the story, direct your attention to what you have just written. Ask yourself, because that happens, what does your character do next?
14) Each day, focus on one or two scenes and up to four scenes only and no further.
15) Write each day with no judgment. Your goal is to get the first draft written.
16) Acknowledge that, as the habit of daily writing solidifies, as the month proceeds the challenges of writing a first draft from beginning to end intensifies.
17) Stay with writing every day until you have achieved your daily word count. Congratulate yourself daily for your productivity.

You know you’re in the zone when time stops and you’re completely immersed in your story with full concentration. 

One week.
Today I write.
  ~~~~~
Need more help with your story? 
  • Ready for a massive rewrite? Re-vision first!
  • Confused about what you're really trying to convey in your story?
  • Lots of action, no character development? Lots of character development and no action?
  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
We can help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.

1st video (43 minutes of direct instruction + exercises for your own individual story) FREE
PlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises total
For more: Read my Plot Whisperer and Blockbuster Plots books for writers.

25 November 2013

Finish Your Story in a Month with a Flourish

Resist the temptation to rush through writing the end just to finish your story. Use wisely the few days that are left to you this month (keep in mind you can continue writing in December to finish your fast draft all the way to the end while at the same time taking part in PlotWriMo).

The beginning quarter of your story informs the end and the end informs the beginning. Forget all you've written of the middle for now. Focus on the how the beginning and the end thematically support  each other, how the beginning foreshadows the end and how the end satisfy the intent you established when writing the beginning of your story.
Examine who the character is portrayed to be in the beginning. What could she not do then and what she must do now at the end? How has who she presented herself to be in the beginning changed or transformed and into what?

See you December 1st and the beginning of PlotWriMo to re-vision your story.

NaNoWriMo Schedule:
11/22 -- 11/28 Write the End 1/4
11/27 -- Write the Climax
11/28 -- Write the Resolution
11/29 -- 11/30 Catch-up

***Give yourself the gift of deepening your plot and your understanding of your story, your characters,  and who you are as a writer. Sign-up for the virtual Plot Whisperer Workbook Workshops beginning January 2014 to get you writing smarter and faster and more joyfully with a deeper understanding of plot.  
~~~~~

 PLOTWRIMO begins in 5 days and 18 hours. Dig out that old story you threw in the bottom drawer of your filing cabinet. Finish up the draft you're fast writing now. Come with a wisp of a story idea. Beginning December 1st, follow the exercises on the Plot Whisperer blog to re"vision" and redefine the plot arc of your story. PlotWriMo is custom designed to ensure your success even during the busiest time of the year.

Begin 2014 ready for a powerful rewrite.
~~~~~
The following resources help you prepare for PlotWriMo:

1) Plot your story step-by-step with the help of The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories

2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
named BEST BOOKS FOR WRITERS by Poets and Writers. The author provides insight on how to create works of fiction with powerful stories and focuses on how to devise a Universal Plot, plot lines and subplots, compelling scenes, and character transformation.
 
3) Refer to The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing for writing prompts for scene #1 to the very The End, one prompt at a time.
4) Watch the Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. Scroll down on the left of this post for a directory of all the steps to the series. 27-step tutorial on Youtube
5) Watch the Monday Morning Plot Book Group Series on YouTube. Scroll down on the right of this post for a directory the book examples and plot elements discussed.
For more tips about how to use plot and the Universal Story in your novel, memoir or screenplay, visit:

Plot Whisperer on Pinterest 

***** Knowing what to write where in a story with a plot reinforces daily writing practice and allows for more productivity in your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts in The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.

Today, I write.

24 October 2013

7 Reasons to Keep Writing Forward during NaNoWriMo

Write One Complete Draft at a Time: Benefits of Writing a Novel or Memoir from Beginning to End before Going Back and Starting Again
by: Martha Alderson
(originally posted by: Brian Klems at The Writer's Dig)

7 Reasons to Write an Entire 1st Draft before Going Back to the Beginning

1) Rather than stop and start over again and again, when you allow yourself to write a rough first draft from beginning to end, you actually finish a draft all the way through.

2) Until you write the end—the climax—you do not have a clear grasp of what comes earlier.

3) You accomplish what you set out to do.

4) Once you have a skeleton in place, you are able to stand back and "see" her story in an entirely new light

5) Until you write the entire story, you do not know the end.

6) The less time you devote to making every word perfect in the first couple of drafts the less painful future cuts and revisions will be. Because you haven’t invested hundreds of hours going back to the beginning, you’ll be less reluctant to cut the customary thirty-five to one hundred pages that almost always get chopped from the beginning of the manuscript. The more of yourself you give to making every word perfect before moving to the next scene, the more emotionally attached you become to the words. Cutting your work is never easy, but the more you can endure the chaos of ugly prose, gaps, and missteps in the early drafts, the better.

7) One of the greatest benefits of writing a truly awful, lousy, no good first draft is that it can only get better from there.

Stay alert for the internal antagonist -- the belief that going back and starting again is beneficial -- that strives to prevent you from achieving an external goal (finishing your story). Push forward. The further you put yourself out there with your writing the more vulnerable you feel. It is risky to follow the energy of your story out of your comfort zone. Always, the choice to delve deeper into the Universal Story represents a leap of faith and a belief in the journey’s potential for growth.

~~~~~


Take the PLOTWRIMO Pre-Challenge:

You have 1 Month, 1 week and 2 days to get a draft written in time for PlotWriMo. Beginning December 1st, follow the exercises on the Plot Whisperer blog to re"vision" and redefine the plot arc of your story. PlotWriMo is custom designed to ensure your success even during the busiest time of the year.
Begin 2014 ready for a powerful rewrite.
~~~~~
The following resources support you in your pre-challenge:
1) Plot your story step-by-step with the help of
The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories

2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
named BEST BOOKS FOR WRITERS by Poets&Writers. The author provides insight on how to create works of fiction with powerful stories and focuses on how to devise a Universal Plot, plot lines and subplots, compelling scenes, and character transformation.
 
3) Refer to The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing
for writing prompts for scene #1 to the very The End, one prompt at a time.

4) Watch the Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. Scroll down on the left of this post for a directory of all the steps to the series. 27-step tutorial on Youtube

5) Watch the Monday Morning Plot Book Group Series on YouTube. Scroll down on the right of this post for a directory the book examples and plot elements discussed.

For more tips about how to use plot and the Universal Story in your novel, memoir or screenplay, visit:
Plot Whisperer on Pinterest 

***** Knowing what to write where in a story with a plot reinforces daily writing practice and allows for more productivity in your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts in The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.

Today, I write.

10 October 2013

Reasons to Write Forward and Not Go Back

Are you beginning to flounder in your quest to write a fast draft from beginning to end without going back and starting again?

Plot lines twist out of shape the further you write into your story. No matter how terrific your outline or how complete your Plot Planner, new scene ideas and new characters pop up, all requiring foreshadowing in earlier scenes. Your vision turns murky. You begin to panic. Doubt sets in.

If only you go back and clean everything up with a fresh start, you're confident you'll be better equipped to forge on.

Don't fool yourself. The cycle, once started, spins over and over again.

Instead, read 7 great reasons why to write an entire 1st draft before going back to the beginning, hosted by Writer's Digest's own: Brian Klems at The Writer's Dig.

Need help writing a fast first draft from beginning to end?

Join me from the comfort of your own home for my live PLOT WORKSHOP Webinar hosted by Writers Digest on Thursday, October 17, 2013 at 1p.m. ET.

Learn more and sign up: How to Pre-Plot and Complete a Novel or Memoir in a Month: The Benefits of Writing a Fast Draft from Beginning to End.

~~~~~


Take the PLOTWRIMO Pre-Challenge:

You have 1 Months and 4 weeks to get a draft written in time for PlotWriMo. Beginning December 1st, follow the exercises on the Plot Whisperer blog to re"vision" and redefine the plot arc of your story. PlotWriMo is custom designed to ensure your success even during the busiest time of the year.
Begin 2014 ready for a powerful rewrite.

~~~~~
The following resources support you in your pre-challenge:
1) Plot your story step-by-step with the help of
The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories

2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
named BEST BOOKS FOR WRITERS by Poets&Writers. The author provides insight on how to create works of fiction with powerful stories and focuses on how to devise a Universal Plot, plot lines and subplots, compelling scenes, and character transformation.
 
3) Refer to The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing
for writing prompts for scene #1 to the very The End, one prompt at a time.

4) Watch the Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. Scroll down on the left of this post for a directory of all the steps to the series. 27-step tutorial on Youtube

5) Watch the Monday Morning Plot Book Group Series on YouTube. Scroll down on the right of this post for a directory the book examples and plot elements discussed.

For more tips about how to use plot and the Universal Story in your novel, memoir or screenplay, visit:
Plot Whisperer on Pinterest 

***** Knowing what to write where in a story with a plot reinforces daily writing practice and allows for more productivity in your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts in The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.

Today, I write.

09 September 2013

Rising and Falling Plot Action and Tension

Dear Ms. Alderson:

I've been reading your "Blockbuster Plots" and loving it, but I have a question about the plot planner (examples of what Plot Planners and how different writers use the plotting method.). As I understand it, we're to draw the lines for an ideal plot on a piece of banner paper and then we write in our scenes above and below the lines, depending on whether our protagonist is in challenged/in control in the scene or not. So far, so good.



From a diagnostic point of view, though, wouldn't it make more sense if we "graphed" the plot we've actually created (showing the various rises and falls in our plot action and tension), and then compared our graph to the ideal pattern? In other words, when we place our scenes along a line that shows rising action, we may not notice that our our conflicts are not actually escalating as they should.

For example, our own scenes may be too static or may actually decline (God forbid), but we might be fooled by the contrary visual cues of our Plot Planner, with its nicely rising lines. Maybe you discuss this elsewhere, but it seems like a good intermediate step would be for the writer to evaluate each scene for its level of tension or conflict (maybe using a 1-to-10 scale), and then show this on a "graph" (i.e., a plot planner that shows the pattern of our actual scenes, rather than an ideal pattern).

Once we've created this graph, we could then tweak the pattern (by rearranging the order of the scenes, by deleting static scenes or by ramping up the tension in existing scenes) so that our story more nearly matches the ideal plot pattern. I'd love to hear your thoughts on this.

Many thanks again for writing "Blockbuster Plots" and for making all those terrific Youtube videos

Your teaching is amazingly clear and helpful!
Sincerely,
Kate
Salt Lake City, Utah

*****Thank you, Kate, for your thoughtful email query. I applaud your understanding of the Plot Planner concept of rising action perfectly! I agree with everything you say and believe you've come up with an excellent suggestion for writers creating a Plot Planner for their own novel, memoir, screenplay.


~~~~~Take the PlotWriMo Pre-Challenge


To prepare for PlotWriMo and familiarize yourself with the Universal Story and the basic plot terms we'll be using throughout December:


1) Begin writing now to complete an entire draft of your novel, memoir, screenplay in time for PLOTWRIMO, beginning December 1st.

2) Plot your story step-by-step with the help of
The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories

3) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master

4) Refer to The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing
for writing prompts for scene #1 to the very The End, one prompt at a time.

5) Watch the Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. Scroll down on the left of this post for a directory of all the steps to the series. 27-step tutorial on Youtube

6) Watch the Monday Morning Plot Book Group Series on YouTube. Scroll down on the right of this post for a directory the book examples and plot elements discussed.

For more tips about how to use plot and the Universal Story in your novel, memoir or screenplay, visit:
Plot Whisperer on Pinterest

19 August 2013

Use Setting to Deepen Readers' Appreciation Of Your Protagonist's Character Emotional Development

A story is about a character transformed over time by the dramatic action.

To make this character transformation more dramatic, great writers convey who the character is within the safety of a world that is familiar to her before thrusting her into a new world. The ordinary world gives the reader insight into the values, background, and habits of the protagonist (or lack thereof).



Usually the protagonist has a life before the story begins, although some stories such as Ursula Hegi’s Stones of the River begin on or nearly at the protagonist’s birth. The reader, in the first part of the story, gains a sense of the main character’s framework of relationships and the degree to which she’s governed by them. This gives the reader a starting point from which to evaluate the emotional change in the protagonist as she is forced to break away and rely on herself in the middle of the story.

In her usual life, customs, dogma, rules, and regulations come from outside the protagonist. They often form a kind of inner protection for her.

In the middle of the story when this protection is stripped away, she becomes vulnerable.

If we grasp the comfortable, safe, and well-fed environment the protagonist has always known, it’s easier for us to sympathize when she wonders why she left it in pursuit of a solitary, difficult, and dangerous new world.

Exercise:
Cut out a magazine picture that represents the setting of the protagonist’s ordinary world (her house, community, country, planet, depending on the needs of your particular story). If you can’t find something suitable, draw one or use a photo of a place you know that embodies the qualities you envision for your protagonist’s home, neighborhood, community, and so on. Affix this visual representation of your main character’s usual world above the beginning section of your plot planner to stimulate ideas.
(Excerpt from The Plot Whisperer: Secrets of Story Structure Any Writer Can Master.)


*****SPECIALS*******

1) Track Your Plot at the Scene Level Webinar
Learn to Maximize the 7 essential plot elements in every scene (one of 7 essential plot elements in every scene is CONFLICT) from the comfort of your own home.

*****
Knowing what to write where in a story with a plot reinforces daily writing practice and allows for more productivity in your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts inThe Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.

Today, I write.

To familiarize yourself with the basic plot terms used here and in the PW Book of Prompts:
1) Watch the plot playlists on the Plot Whisperer Youtube channel.
2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3) Fill out the exercises in The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories
4) Visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter
Plot Whisperer on Pinterest

30 July 2013

How Much Backstory in the Beginning is Too Much and How Little is Too Little?

Question from a writer on Facebook:
You and most writing gurus suggest not weighing down the beginning with Backstory. I agree. I usually start in action/dialogue in the present, but lately I have a friend who thinks I don't explain enough about my characters to get the reader interested.

She said to look up successful romance writers and how they present characters. I went on Amazon and read several previews. For example, Bella Andre From This Moment On is entirely backstory in Chapter 1. She even has a flashback for the second scene. I'm confused because she's definitely successful and I wonder if readers or at least her readers like the backstory in Chapter 1.

What are your thoughts? I have all your books and am using the Writing Prompts one. Obviously I want to write a scene to show my character's motivation and current state, but I wonder if readers really mind.

Answer from me:
Yours is a universal question. How much backstory is too much and is little-to-none not enough?

First, I have to admit that my rather firm suggestion to not weigh down the beginning of a story with Backstory comes from two sources.

1) I developed a deep empathy for the dyslexic children I worked with back in the day I owned and operated a speech, language, learning clinic for children.

Struggling readers demonstrate the complexity of the entire reading experience. Understanding that words are made up of consonants and vowels that translate into letter symbols and decoding the words and understanding the meaning of those words and memorizing sight words and then grasping that a group of words followed by punctuation make sentences that make paragraphs and chapters and reading quickly enough to remember the meaning behind the words leads finally, when lucky, to comprehension.

Throw in all sorts of time jumps with prologues and flashbacks, flash forwards and memories and an already challenging task becomes a source of frustration rather than pleasure.

2) Working with writers, I've heard every different way you can think of to insert backstory information and most of them slow down the story. That is not to say that successful writers don't insert backstory up front. They do. All the time. You can, too.

That said... I continue to suggest not weighing down the beginning with backstory.

Supporting the beginning by offering just enough backstory with clear and engaging writing is fine. Giving more emphasis to the backstory than the front story gives me pause and I wonder, why not tell that story instead?

What I resist is inserting an actual flashback too early. A flashback is told in moment-by-moment action in real time in the past which is different from the front story time. It is the flipping back and forth in time early-on in a story that can cause confusion. Your goal in the first quarter of the book is to hook and ground the reader. A flashback often interferes with the successful completion of that goal.

P.S. I love knowing the little brown PW book is by your side! Thank you.

*****SPECIALS*******

1) Track Your Plot at the Scene Level Webinar
Learn to Maximize the 7 essential plot elements in every scene (one of 7 essential plot elements in every scene is CONFLICT) from the comfort of your own home.

*****
Knowing what to write where in a story with a plot reinforces daily writing practice and allows for more productivity in your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts inThe Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.

Today, I write.

To familiarize yourself with the basic plot terms used here and in the PW Book of Prompts:
1) Watch the plot playlists on the Plot Whisperer Youtube channel.
2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3) Fill out the exercises in The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories
4) Visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter
Plot Whisperer on Pinterest