Desert Rose Romance Writers of America Conference

The conference lived up to its name; the entire desert appeared in full bloom upon our arrival in Phoenix. Met up with my agent and dear friend, Jill Corcoran, and fun began. My name badge as The Plot Whisperer seemed to part the waters; everyone was more than kind and often downright respectful to me. No Plot Whisperer books in the bookstore. They sold out before I even arrived (note to self: ask for a guarantee that the number of books available for sale equal the number of writers anticipated at my workshops)

Everywhere I turned were posters of book covers with women of incredible beauty clutching men of incredible strength oozing incredible desire. I fell in love with two young women writers, with their beauty and their belief and their earnestness. In the blinding desert light, a writer I had connected with just a few times on Facebook, albeit in a powerful way, freed me of a deep sadness as easily as if she waved a magic wand over my head. The heat of the sun lingered into the night.

I quaked a bit under the weight of the expectation writers expressed for my "keynote" plot workshop on the final day. The heat of 200 anxious writers radiated up to me high on the stage, firing hotter and hotter as more and more light bulb moments danced over their heads...

Connecting to the Character

People read stories and go to the movies 70% for the character. We love to peek into other people's lives, even if the other people are mere characters in a book or movie.

This last writer's story is filled with dramatic action, which makes for an exciting story. I find myself anxious to hear what happens next, and what happens after that. The writer masterfully provides more and more compelling action, and does so seamlessly through consistent cause and effect. The Dramatic Action plot line rises quickly and effectively.

Still, the more intriguing the mystery, the scarier the suspense, the more cardboard action figure-like the characters become as they passively allow the dramatic action to happen. The more exciting the action, the more the characters are ignored and the less I find out about how the characters. especially the protagonist, are affected by the dramatic action. Without the help of the character to draw me closer, I find myself separating further and further from the story.

At this point in the consultation, I go over the importance of goal setting for the protagonist ~~ both at the scene level and the overall story level. The better a writer is at establishing concrete goals for her characters, the easier it is for her to keep track of the affects on the character as the character succeeds and fails in achieving her goals.

[Note: At a recent Plot Planner Writers Workshop, one of the writers expressed confusion between a goal and a dream. A goal is quanifiable and under the protagonist's control. In other words, the character is capable of succeeding. Whether they actually do or not is up to them. A dream, on the other hand, requires a bit of magic or help from outside sources. The protagonist cannot fulfill his or her own dreams, but must rely on the help of others.]

In the consultation, I never find out why the protagonist is missing when her husband is nearly killed. Why? Because the writer doesn't know either. A critical door into the character on a deep, personal level is never opened by the author and thus, would have robbed the future readers or movie-goers from the intimate bond of knowing.

The writer uses the protagonist to advance the Dramatic Action plot line, but ignores the Character Emotional Development plot line almost completely.

Still, she has done the hard part. The story is written. The dramatic action propels the story in quick and exciting ways. Once pointed out, the doors are easily opened. By attending to what is behind each door, the writer's chances improve for bringing satisfaction to future fans through knowing the character even better than the character knows herself.

Plot versus Character

Funny to have two plot consultations with two different writers with such antithetical points of view when it comes to Plot versus Character.

In my previous blog post, I ranted about plot getting a bad rap. The day after, I consult with a writer who cares only for plot (or, since I believe character transformation is critical to plot, rather the dramatic action side of plot.) This writer states his preference right up front when he declares that he doesn't know how the character changes (Character Emotional Development) or what the story means over all (Thematic Significance). Further, he informs me, he doesn't care about that. All he wants is an action-packed story that will sell. (mass-market airport book as described by yesterday's writer)

Hmmmmm, I know there are writers of mystery and suspense who are quite successful without doing much to develop the character. But, it seems odd to me to think of a character going through all she does and not be affected by the dramatic action on some level -- perhaps not to a level of transformation but at least change. And, at the end of a long, exciting read, why not leave the reader with something to think about?

Oh, well, those are my ideals.

I'm here to support writers in their quest to follow their dreams. Not to judge. At least, not too harshly, but to help writers develop their stories.

When I have a spare moment -- yeah, right!-- I plan to do a survey of writers and ask what is their preference for writing Character-driven versus Action-driven stories AND which do they prefer reading?? Stay tuned....