Plot the Beginning of Your Novel, Memoir, Screenplay

Take a moment to assess where you are in writing your story now that you're 4 days into NaNoWriMo.

To ensure that you stay on track and write a solid beginning, middle and end by the end of November, stand back from your writing for a minute and consider the following.

Tuesday marks the day you and your protagonist enter the exotic world.

Begin opening up to the idea of pulling the beginning together so you're sure to be writing the End of the Beginning scene on Monday.

For support:

Plotting the Beginning
Energy Anatomy of Stories
Plot the Dramatic Plot
Plot the Character Emotional Development Plot
The Three Major Plotlines

***I am giving away 4 free autographed copies of The Plot Whisperer: Secrets of Story Structure Any Writer Can Master AND

and Scene Tracker Kit (which includes Blockbuster Plots Pure & Simple).

To win, simply comment on each of fourteen blogs that took part in the mega-blog book tour

listed on the Master Schedule. As one writer says of the experience: "I feel like I just took in a 2 hour writing workshop in a few minutes."

For more about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post.

For more tips about how to use plot and the Universal Story in your novel, memoir or screenplay, read: The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
and visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook (we hope you "like" it)
Plot Whisperer on Twitter

Plot Planner

Plot your story using the universal story form for structure and impact.

A Plot Planner mimics the universal story and is the framework for developing a gripping story. Rather than creating a dry, episodic list of scenes to cover, arrange your story by cause and effect to best engage the reader.

Think of the Plot Planner as the route or map of the journey you envision for your story. When you first plan your plot, your route is likely to be sketchy with lots of gaps and dead ends. These gaps will smooth over and fill in as you come to know your story and characters better. Along your story's route, the plot elements of dramatic action, characters, and thematic significance will rise and fall, like waves cresting. The flow of these elements is like the flow of energy the Chinese call “qi” (pronounced “chi”). The qi is the mainstay of life force, inherently present in all things.

Within your story, the energy undulates. Although every story has its own energy, a universal pattern of energy rising and falling repeats itself. The greater your understanding of this stable format, the better able you are to determine where and when to allow the energy to crest, to make your story most compelling to the reader. Allow the energy of your story to direct the flow of your scenes. The closer you can re-create this pattern in your presentation to the reader, the stronger and more compelling your story. A plot planner helps you map your story's energy and direction.

DESCRIPTION

All great stories have a beginning, middle and end.

1. The Beginning

The beginning usually encompasses one quarter of the entire story. Most of us start out strong in the beginning, but struggle to keep the momentum going.

2. The Middle

The middle is the longest portion of the project – one half of the entire story. It commands the most scenes, and is where many writers fall short. When the allure of the beginning is over, the story starts getting messy. Writers often know the beginning and the end of their story, but bog down in creating the middle. Crisis is the meat of the middle.

Place crisis – the scene of greatest intensity and highest energy in your story thus far – around the three-quarter point in your story, when your audience needs a recharge to combat fatigue, frustration, and irritation. Crisis is where tension and conflict peak – it is a turning point in your story. Crisis is developed through the scenes to provide the greatest impact in the energy flow of your story.

The crisis is the false summit of your case, where the audience can perceive the true summit. Here, your story’s energy drops after the drama of the crisis, giving your audience the opportunity to rebuild energy in anticipation of reaching the climax.

3. The End

The final quarter of your presentation represents the end, which comprises three parts: the build-up to the climax, the climax itself, and the resolution. The build-up to the climax represents the steps you take to lead the reader to envision how the story should end. The climax is the point of highest drama in your story, the crowning moment when the thematic significance of your story becomes clear to the reader. The resolution is your opportunity to fully tie together that significance and make your story complete.

PLOT PLANNER BENEFITS

A Plot Planner helps you visualize your story. Use a Plot Planner to place your ideas and sequence your scenes to greatest effect. A plot planner allows you to experiment with changes in the storyline or presentation to evoke stronger reaction and interest from the reader, and gives you a sense for how the story may be paced. A plot planner also allows you to collaborate with others to generate ideas for better developing your story and to solidify your understanding of the story's core elements, and helps ensure that you understand the story you are presenting. Importantly, the plot planner enables you to keep the larger picture of your story in full view as you concentrate on creating the story’s individual parts, helping you maintain paramount focus on crafting a story that will convey your core message to reader or audience in a compelling way.

CONSTRUCTING A PLOT PLANNER

I recommend building your Plot Planner on big pieces of banner paper, running horizontally. It takes up quite a bit of space, but serves as a continual visual reminder of the entire project.

The Plot Planner is merely a line that separates scenes filled with conflict and excitement (above the plot planner line) from those that are passive, filled with summary and back story, or heavy with information (below the plot planner line). Scenes are where the story plays out, where the action happens moment-by-moment in your presentation.

The external dramatic action of stories told in scene and filled with conflict belongs above the line, like the white caps on the sea’s surface as a wave swells toward the shore. Scenes that show complications, conflicts, tension, dilemmas, and suspense belong above the line. Any scene that slows the story’s energy belongs below the line.

By placing ideas above and below the line, you create a visual map for analyzing critical story information, presentation flow, and weaknesses in your story’s overall sequence.

The Plot Planner line is not flat – it moves steadily higher, building your story slowly and methodically as tension increases. Each scene delivers more tension and conflict than the preceding scene, with intensity building to your story's climax.

When to Use a Flashback

Watch your delivery of backstory ~ the story of what, in the past, made the character who they are today (in story time).

Writers want to cram everything right up front.

"I know all their history, why would I want to withhold it from the reader?"
"I wrote it that way."
"It's the good part."

Writers spend lots of time imagining and writing every little detail about a character's past, be it for a child or an adult. So, of course, writers want to tell everything right away. Perhaps, in the process, even show off a bit how clever they are. Until, one understands how curiosity works.

Not telling everything makes the reader curious. Curiosity draws the reader deeper into the story world. The reader wants to fill in the "who," "what," "how" (the "where" and "when" have already been clearly established right up front to ground the reader). They keep reading. This is good.

Tell the reader only what they need to know to inform that particular scene. This is especially true in the Beginning (1/4 mark). During the first quarter of the project, the character can have a memory. But, if you feel you just must inject a full-blown flashback, where you take the reader back in time in scene, wait until the Middle.

(PLOT TIP: If you're absolutely sure you absolutely have to include the flashback, try using one when you're bogged down in the middle of the middle.)

Writers on the Hero's Journey

Last Saturday I taught the 1st in a series of 3 Plot Intensives in Capitola, CA. I covered plot at the overall story level. This Saturday I teach the 2nd plot workshop to cover plot at the scene level. Next Saturday I teach the 3rd and final workshop; Plot for Meaning at the overall plot level.

Saturday for the first time I asked writers to fill out the Character Emotional Plot Profile for more than just their protagonist and antagonist. This time, they also filled out one for themselves as a writer and another for themselves personally. 

I felt a bit weird about asking for their own personal profile and after glancing at a few, I knew for certain I won't do that again. I don't need to know a person's secrets to help her with plot. However, the writers' profiles were fascinating in their universality.

Everyone wants to write a story and everyone suffers from the same doubt, insecurity, fears which begs the question: if a writer stands back and analyzes where she is on her writing journey, will it help her as much as standing back and looking at the overall plot of her writing story on a Plot Planner?

You tell me.

Where are you on your writing journey? 

• Still in the introductory mode (Beginning - 1/4) and mostly talking about writing, how you're not writing, what you want to write about, thinking about writing, wanting to write but don't very often? 

• Stepped over into the land of the exotic and solitary world of writing filled with antagonists of every kind (Middle - 1/2)?

• Clawing your way to the Climax (End - 1/4)
  

Does your answer surprise you? 

Does the understanding of where you are on the Universal Story form or your life's journey give you a deeper understanding of you are in relationship with your writing?

Does it give you a deeper understanding of the journey your protagonist is on, too?

Slogging through the 1st Draft

I wrote today's Twitter (1/2 pt. = commits to journey. Things seem to get a bit better. They're about to get way worse = Crisis 3/4 pt.) based on something I heard Andre Agassi say in an interview about his memoir. I missed the part about why he despises tennis from the start but at around the Middle of his journey to wholeness, he quits drugs and alcohol and commits to tennis for the very first time. 

Agassi's Halfway turning point does what all good Halfway turning points do: signals a move from ambivalence to commitment. At that point, as Agassi quickly finds out, rather than get better, the Halfway point signals that things are about to get way worse. 

The writer / protagonist (today's on-going plot consultation illustrates how closely the two are tied) leaves the ordinary world when she signs up for a series of on-going plot consultations with the goal of finishing a writing project she has started and stopped for years. 

She slips into the writers life with ease. Fortunate to have a lifestyle that supports writing and reading and fully sinking into the writers life, she sets up a dream writing schedule. Every morning, write with coffee. Write and walk. Write and errands. Write and eat. Write and read. Write and sleep. Sounds heavenly. Only distractions are those she allows. 

Yesterday she hits the wall. Comes up with two new writing projects in quick succession. Retires to bed sick. Rejects vision of literary genius. 

She hits the exact same point in her writer's journey that the protagonist is about to encounter on the hero's journey. Up until now, the writer and the protagonist have gone through the motions. Now, with full commitment, the writer and protagonist step forward thinking that by making the commitment, the hard work is behind them. They step forward into thin air without a clue that the worst is yet to come...

Crank up the energy. Next is the Crisis...