18 August 2014

Dramatic Action Inciting Incident and Character Emotional Development Dark Night

A writer asks: isn't the inciting incident of an example I use -- the Pulitizer Prize winning The Goldfinch by Donna Tartt -- when he steals the painting?

Yes, the dramatic action inciting incident is when he steals The Goldfinch in the museum. His action energizes the external action, changing the ordinary to the dramatic -- thus inciting the dramatic action plot.

I was describing just prior to her question the scene that occupies the all important 1st Energetic Marker: the End of the Beginning. Rather than the scene where he steals the painting earning the marker moment, the scene that steals the coveted spot is when his father arrives. His father's arrival is a pivotal no-turning-back moment that earns this honor because at its heart, this story is primarily character-driven. Long before his mother dies in the explosion, his father inflicted the protagonist's backstory wound when he walked out on them.

Yes, the dramatic action makes this a page-turning novel -- will he or won't he succeed? The answer we come to care about more deeply is will he or won't he find peace?

After that presentation and especially so after presenting solo Plot and Character Transformation in Novels: Character Goals versus Character Traits, I find I don't even try to resist throwing in what negative reviewers seem to hate in The Plot Whisperer: Secrets of Story Structure Any Writer Can Master -- the Universal Story, especially how it applies beyond stories to us in the human realm. I come home energized about my up-coming: Transform Your Creative Life through the Universal Story: Seize the Life of Your Dreams online personal transformation workshop. Join me and move from where you currently are in the Universal Story to your heart's desire.

Today I write!
~~~~~~~~
For more: Read my Plot Whisperer and Blockbuster Plots books for writers.
~~~~
Need more help with your story? 
  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
We can help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.


PlotWwiMo: REVISE YOUR NOVEL IN A MONTH
PlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises

12 August 2014

Plot Tips for Introverts: How to Survive a Writers Conference

I muse out loud why the heck I ever agreed to leave my tiny paradise for a crowded plane ride smack into hundreds of anxious, eager, confident, quaking writers. Quaking myself in anticipation of my presentation, I question the emotional cost of forcing oneself to be something we're not inherently pre-disposed to be.

Quietly listening to me moan, the serenely beautiful and thoughtful literary agent Danielle Smith from Red Fox Literary Agency recommends Susan Cain's Quiet: The Power of Introverts in a World That Can't Stop Talking.

I'd never thought of myself as an introvert until I started reading this captivating book and saw me staring back at myself.

"Quiet and cerebral people who know how to tune into their inner world and the treasures to be found there."

Love that. Check.

"Highly sensitive."

Huh, huh. Check.

And the list goes on. Pair all that with being shy in a family and at a time that believed that being shy was selfish, I'm not surprised I willed myself to be extroverted. That painful journey out of silence I've talked about, thanks to Cain, I finally understand.

If you, too, are shy and not comfortable with putting yourself out there, being confident about your abilities and proclaiming proudly your worthiness as a writer, writer's conferences tend to be grueling, excruciating even. One writer passes out in the pitch-an-agent/editor line. Another runs to the bathroom to hurl. Others turn away before their turn materializes. You sit next to an agent while the writer on her other side wows her with a pithy pitch and outrageous concept as you wither and wait until enough time has elapsed to leave the table.

To survive, you're going to have to conjure up a strategy how to don the personality of an extrovert for the weekend, because you do have to sell yourself in this business. Don't fool yourself that you're there to enjoy the company of other like-minded writers. That's true, as is the list of workshops that will serve you well. Your primary reason for leaving the safely of your writer's cave to attend a writer's conference is find an agent who loves your story and wants more.

Be brave. Take the risk. Open your mouth and blurt out something. Then open your mouth again and again until something coherent and compelling comes out. Perhaps in that moment -- right agent, right time -- magic happens… Worth the risk? A resounding Yes!

I now speak to crowds of 500. And… I actually quite enjoy the experience. The anticipation still makes me quake and I still try to schedule an entire week off after I return home from conferences. I suggest you try to make time, too, to gather yourself hung-over from anxiety, fear and the exhilaration of stepping into the arena in belief of yourself and your story.

Take the leap this weekend, August 15, 16, 17th and join me at the Writer's Digest Novel Writing Conference in L. A. For my followers, register with the promotional code WDSPEAKER. Today I write!
~~~~~~~~
For more: Read my Plot Whisperer and Blockbuster Plots books for writers.
~~~~
Need more help with your story? 
  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
We can help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.


PlotWwiMo: REVISE YOUR NOVEL IN A MONTH
PlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises

10 August 2014

How to Show Character Mastery and Transformation through both the Internal and External Plots

The final quarter of your story carries the responsibility of getting your characters to the right place at the right time for one final confrontation and support the final opportunity that leads to success and ultimate transformation.
The scenes that comprise the final quarter of your story are filled with the tension of not knowing whether protagonist will win or fail at the climax.

Writing to the end of your story may very well be filling you with tension. Will I ever finish this thing???

Not just with your writing, you may find that with other parts of your life that somehow when your back was turned (though if you retrace scene by scene, you'd note the clear path) your antagonists have grown stronger and more determined and the stakes rise in intensity as you become more and more aware of all the ways you sabotage yourself from finishing and seizing that which you most desire (because, ultimately, no one else can fell us. We--us personally--are the only ones who give up).

Writers make symbolic gestures, like writing down specific daily writing goal and turning off the cable and removing the TV from the premises, promises to their writing lives and living proof of their commitment to themselves to write. Such dedication and willingness to do what's demanded to succeed at your goal!

You've been making good progress and then Bam! Blindsided by a familiar antagonist you'd mistakenly believed was sleeping, the backstory wound you've patiently been been nursing to health activates. This time, rather than touch off your transformed emotional maturity, the blow sends you spiraling all the way back to your old ways of dealing with hurt and betrayal or whatever your backstory wound oozes by beating yourself up and/or raging. Even so, slowly, you find yourself recovering more quickly after each hit and back to writing or whatever your passion as you continue to internally incorporate the you who you are becoming. New strategies and actions you learned during the hard times now serve you well.

Each time you take positive, conscious steps toward your goal, you find yourself acting with more and more emotional maturity than at any other time in your life. You take responsibility for the pain you've suffered and inflicted to get to where you are now and suddenly delight, finding gifts awaiting you and gaining confidence as you prove to yourself and everyone around you that you're passionate about growing and changing. You begin to see how you yourself influence the action around you at your weakest and now how you can change the action around you to benefit your goals through your new strength and determination and maturity.

In this last quarter proving ground on the way to mastery and your prize -- finishing your story, making peace with the past, falling in love again for the first time -- even as you fall back, you pick yourself up, learn, remind yourself of your goals, imagine your character at the end through a clear lens and take the next step needed to move forward.

Today I write!
~~~~~~~~
For more: Read my Plot Whisperer and Blockbuster Plots books for writers.
~~~~
Need more help with your story? 
  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
We can help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.


PlotWwiMo: REVISE YOUR NOVEL IN A MONTH
PlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises

04 August 2014

A Compelling Concept Elicits: Tell Me More!

A writer asks about what concept to bring forward in the Concept, Logline, Pitch Workshop this weekend (8/9/14). She has several novels in-progress and complete (are our stories ever really complete? The longer we take to finish, the more time we have to grow and change which ultimately servers to deepen and enrich our work).

Her heart's desire speaks of something else entirely.

I explain about Saturday's workshop, you'll have 5 minutes in the morning and 5 minutes in the afternoon. You want to have a concept ready to go (watch the free Video #1 and also helpful is Video #3 in PlotWriMo: Revise Your Novel in a Month video series) so you can spend as much of the time allotted to you listening to Jill's feedback without feeling the need to defend yourself -- simply to listen and absorb what she says. She's really quite amazing at this. 

You'll be listening to so many other pitches that you'll begin to glean the method to creating them. So, I don't think it matters which story you pick as much as really perfecting your concept before pitching it to Jill Saturday.

About choosing which story to pitch, I share a painful learning experience from some pretty nasty reviews on Amazon for the Plot Whisperer: Secrets of Story Structure Any Writer Can Master book. You have to buck up and take it when you write outside the norm. I actually wasn't prepared for some of the more personal attacks and the lesson has been a tough one and very valuable for me to learn.

If we let our fear of exposure limit us and we back down, new ideas can't take flight. If not by you, the story goes unwritten.

A compelling concept elicits from your friends, readers, agents, editors, reviewers, audiences and fans: Tell me more!

Today I write.
~~~~~~~~

For more: Read my Plot Whisperer and Blockbuster Plots books for writers.

~~~~
Need more help with your story? 
  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
We can help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.

1st video (43 minutes of direct instruction + exercises for your own individual story) FREE
PlotWwiMo: REVISE YOUR NOVEL IN A MONTH - TrailerPlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises total

28 July 2014

The Exact Right Beginning of Your Story -- How Do You Know for Sure?

We quickly cover the BIG Energetic Marker, nearly at the end, the Climax and I know already from the character profile and thematic statement that she's got a whopper of a story. (Is that even a word anymore? a whopper. Was it ever?) Her story is so timely, I want to nudge her to finish faster, go the distance, see her story with a plot all the way to the end. She's committed. And she's already done so much work.
When she finally settles on memoir rather than fiction (pros and cons on both sides) and gets to the start of the story, she grapples, which we all do -- where to begin. Having always

heard
heard and
heard 

start with a bang, an inciting incident, something big and dramatic to dazzle the agent, the editor, the reader, she begins with the biggest scene of all, an outrageously dramatic event and… seriously flawed.

For the reader to care about a death on the first page, she has to feel an immediate emotional tie and that bond is generally formed with the character. That's not to say that there aren't plenty of stories that work quite well with death on page one. Murder mysteries in particular demand it.

However, in other stories, why give away a huge scene fraught with conflicting emotions at the very beginning before the reader is settled and beginning to truly care about the characters and intrigued with the story and wanting more? The only way forward after that is to resort to flashbacks to fill in the missing pieces. Again, perfect for a murder mystery--the reader learns the clues as the protagonist solving the mystery.

Memoirs use lots of flashbacks and memories. In her case, that she can go linear by thematically and tightly linked cause and effect, the dream she weaves the reader into becomes more real and immediate and powerfully moving.

Readers don't always remember details at the very beginning of a story because they're scrambling to decide if they like the characters, can follow the plot and are ready to commit to reading forward.

Give them the huge scene at the 1st Energetic Marker; the End of the Beginning when the reader feels a part of the story, the characters more familiar to her than family and impatient to know what happens next. A death here means something. That it evokes anger pulls a very committed reader smack into the writer's exotic world of the middle.
(For more tips about where to begin your beginning: The Plot Whisperer Workbook Step-by-Step Exercises to Help You Create Compelling Stories)
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Need more help revising your story? 
  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
We can help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing. NEW and IMPROVED (including new and improved price!)

**Includes 8 videos  (5.5 hours)  + 30 exercises total
 ~~~~~~~~
For more: Read my Plot Whisperer and Blockbuster Plots books for writers.

15 July 2014

How to Turn a Lackluster Middle into Page-turning Excitement

A writer revising the rough draft of a novel stalls in the middle where he finds some quirky, secondary characters, one of whom is a potential "romance plot" suitor, a couple of magical and mystical settings, several subplots of enchantment, various minor characters and… not much excitement. Appraising the long, dull corridor spanning the entire Middle, the writer despairs both at how to keep his revision ideas organized and, more importantly, how to amp up the tension and excitement.

Each secondary character and setting, subplot and minor character holds the potential for tension and excitement especially when paired against what the protagonist wants. This takes stepping back from the rough draft to dig deeper into the other characters individually, discovering their importance to the overall meaning of the story beyond helping the protagonist get to where she needs to go and devising goals and aspirations that interfere with the protagonist's goals and aspirations. This means you need to get to know these other characters as well as you know your protagonist.

In the rough draft, these secondary and minor cardboard characters served you while writing the protagonist's storyline. Now, in the revision, is their time to shine. Antagonists rule the middle and are there to teach the protagonist what she needs to know in order to prevail at the climax at the end. This learning is not easy and is fraught with dangerous and often unkind challenges.

Fill out a Character Profile for each character, defining goals in direct opposition to what the protagonist wants while also mirroring traits the protagonist is oblivious of and needs to confront and overcome over the course of the entire story.

(For more: Plot Whisperer and Blockbuster Plots books for writers and PlotWriMo: Revise Your Novel in a Month video series.)

11 July 2014

Benefits of a Solid Concept and the Art of Pitching Your Story

Summer means Writers Conferences and pitching your story. You find yourself sitting at lunch next to a literary agent. How quickly and compellingly do you draw her into your story? How intriguing is your concept?

When friends ask what your story is about, rather than drone on about every single plot point, learn how to rattle off a pithy pitch that sends even people overhearing you begging for more.

Think of the concept and pitch as the seeds out of which grow action and characters interacting in a meaningful way.

Some writers won't write a word until they come up with a concept that renders them eager for more. Others don't tackle the task until they've finished writing and editing and are ready to query.

Wherever you are with your story, the time is never too early to ask yourself: What is your story about really? Brainstorm. Keep a notebook. Narrow down what your story is about to one or two lines and you're ready to pitch.

Concept, Logline, Pitch Workshop is the next workshop for all ages and all genres at A Path to Publishing.

Join literary agent and publishing insider Jill Corcoran and me and 22 other writers for the opportunity to refine your story concept, develop a log line and perfect your pitch.

05 July 2014

Pre-Plotting Made Simple

How to Pre-Plot:

1. Brainstorm ideas: Rough Sketch the 4 Energetic Markers on a Plot Planner

2. Test Concept Ideas for Feedback

3. Interview Your Main Characters

4. Write a Transformational Statement for Protagonist

5. Fill in Scene Ideas on your Plot Planner
  • Contrast Beginning and End
  • Exotic Middle World of the Antagonists

6. Write

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For more: Read my Plot Whisperer and Blockbuster Plots books for writers.

~~~~
Need more help with your story? 
  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
We can help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.

PlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises total

02 July 2014

Cause and Effect Scene by Scene

Cause and effect within and between scenes allows you to seamlessly lead the reader to each major turning point by linking the cause in one scene to the effect in the next scene. This sequencing allows the energy of the story to rise smoothly.

If the sequence breaks down, scenes come out of the blue, and your story turns episodic. The reader, in turn, becomes disconcerted.

A story is made up of scenes with a clear dependence on each other. Conflict in a scene represents the motivating cause that sets a series of events in motion. As you test for cause and effect notice how some features of your story are more important than others. Look for patterns and see what elements lead to the thematic significance and which do not.

Scenes with No Cause and Effect 
As important as it is to study how scenes are linked by cause and effect, it’s just as important to analyze scenes with no line(s) linking them to others. Note any unexpected objects, locations, and actions in and between scenes deserve foreshadowing and earlier mentions and hints.

The reader (and the protagonist) doesn’t have an outline of the story and thus can only anticipate what is coming by discerning the clues given along the way by the use of foreshadowing. The life of the story takes on its own particular shape, and its sequence seems inevitable to the reader and audience because of foreshadowing.

Emotional Cause and Effect 
Use cause and effect to convey emotion in the protagonist. In one scene, a character responds emotionally to an event. In the next scene, we see the outcome of that emotional response, which, in turn, becomes the cause for another emotional effect. Each scene is organic; seeds planted in the first scene create the effect in the next.

Your Turn
Once again, push aside the words of your story. This time, stand back from it to determine the causality between scenes and the overall coherence of your story. View your story as a whole. With such an insight, you are better able to turn scenes with emotionally rich characters who are experiencing conflict into the driving force behind an exceptional story.
(Taken from: The Plot Whisperer Workbook Step-by-Step Exercises to Help You Create Compelling Stories)
~~~~
Need more help with your story? 
  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
We can help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.

1st video (43 minutes of direct instruction + exercises for your own individual story) FREE
PlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises total

 ~~~~~~~~
For more: Read my Plot Whisperer and Blockbuster Plots books for writers.

24 June 2014

Emotional Elements of Plot: Stories that Last Evoke Emotion

Dramatic action creates the pace of a story and determines the level of story excitement. The thematic significance reveals the meaning of the piece.
An emotional connection is fused between the reader and the story through the character emotional development. Not simply how a character develops and transforms physically and intellectually, outfoxing and out-thinking and out-performing an antagonist, readers feel an emotional connection through the development of a character’s emotional maturity. In other words, how a character develops emotionally and spiritually provides connection, identification and interest.

Emotion and Emotional Development 
How do the following two lists differ and how are they the same?

  • Honest
  • Courageous
  • Deceitful
  • Stingy
  • Fugal
  • Shy

Versus

  • Anger
  • Frustration
  • Pensive
  • Apologetic
  • Defensive
  • Happy


Each of the examples originates in the character. How they differ is one is a list of character traits. The second list is of emotions.

Character emotional development and emotional change are each an essential scene element. They both: sound alike are related are often confused

Character Emotional Development 
Showing how the character’s traits change and/or transform over the course of the entire story defines the character emotional development plot and the development of such is an essential element in every scene. The protagonist’s emotional development takes place over time and culminates at the end of the story in a lasting transformation. The character’s emotional development can be plotted from the beginning to the end of the story.

Emotional Change 
In every scene, the protagonist displays a range of emotion reactions to the dramatic action. How she reacts often is reflective of the burden she carries from her backstory. These emotions, which fluctuate within each scene, are usually transitory and fleeting. Showing your character’s emotions shift and change is an essential element in every scene.

Plot is how the events in a story directly impact the main character. Always, in the best-written stories, characters are emotionally affected by the events of the story. In great stories, the dramatic action transforms characters. This transformation makes a story meaningful. The dramatic action demands a goal. The character emotional development demands growth.

Steps toward Transformation 
Each obstacle and antagonist in the dramatic action plot provides the protagonist with opportunities to learn about herself and thus advance her character emotional development plot. Before she can transform, she first must become conscious of her strengths and weaknesses. Stories show a character changing, at the least, and transforming at the most profound. Often you can accomplish this by creating a flawed character. Eventually, she will have to face that flaw and overcome it in order to achieve her ultimate goal.

Examples of Character Flaws

  • Always the victim and unable to take responsibility for actions           
  • Control freak
  • Argumentative and short-tempered 
  • Liar and a cheat 
  • Stubborn 
  • Always has to be right 
  • Perfectionist 
  • Procrastinator 
  • Sits in judgment

The main character’s flaw establishes the protagonist’s level of emotional maturity and points to the potential for growth or transformation. Her flaw interferes with achieving her goal and riles up her emotions.

How to Use a Character Flaw 
A character flaw is a coping mechanism that arises from the loss of an original state of perfection that occurred in the character’s backstory. The character stores the emotion created by what happened in the backstory. Her flaw is designed to compensate for a perceived vulnerability, sense of insecurity, and feeling threatened.

No matter how confident, every major character demonstrates lessons learned from the wound inflicted in her backstory that now is lodged in her core belief system. In reaction, she often surrenders some or all of the authority over her own life to someone or something else.

Emotion in the Beginning 
The beginning of your story establishes who the character is, flaws and all. Your readers can look back to this portrait and compare it to who she becomes as she undergoes a transformation after the crisis. The portrait also foreshadows who she will be at the climax.

At the beginning of a story, the character’s emotional reactions help identify and introduce her. By the end of the beginning scene at the one-quarter mark of a story, all of the protagonist’s most defining traits, positive and negative have been introduced. This turning point scene reveals the most defining character trait of all.

What emotion does your protagonist communicate about entering the middle of the story?

  • eager 
  • reluctant 
  • resistant 

This choice of hers shows her defining character trait starting out the story:

  • courageous 
  • timid 
  • afraid 

Emotions Intensify in the Middle
The emotions the protagonist managed to keep in check in the beginning of the story begin to unravel in the chaos and uncertainty of the unfamiliar world in the middle of a story. Overwhelmed and fearful, challenged and hurt, the protagonist becomes vulner­able. Most importantly, the middle deepens the audience’s appreciation for the protagonist’s emotional maturity, or lack thereof, by her emotional reactions as the obstacles become more difficult to surmount.

All the outer events, ordeals, successes, and failures of the character constitute the dramatic action of a story and provide the catalyst for change. The farther the protagonist penetrates into the new world of the middle and the more obstacles she confronts, the character’s emotional defenses begin to break down and her emotions turn bleaker and darker. Unable to function at a superficial level any longer, she begins to experience heightened emotions, ones that touch the core of her being. When she is prevented from reaching her goal, her emotional reaction changes subtly over time, flicking back and forth in the scene like a trapped fly.

Emotional Maturity 
One of the defining elements of the final quarter of a story are the number of complications the protagonist is slapped the nearer she moves toward achieving her goal. With each complication, the protagonist suffers some sort of reversal. Yet, unlike the reversals in the middle of the story, the protago­nist no longer loses power even if she is physically, mentally or emotionally restrained or injured. As the character emotional development changes, her emotional expression changes, too. What begins with the display of emotional upheaval transforms into emotional maturity.

At the end of a story, as a result of the action on the page, the character’s transformation is revealed through the change in her choices and in her emotional responses from how she acted in the beginning and in the middle. 

The plot of a story is about a character faced with a series of conflicts and obstacles while in pursuit of a goal, which, over time, inspire her to change her choices. In the end, she is transformed, and her ultimate transformation creates her anew with a different understanding of herself and her existence.
 ~~~~~~~~
For more: Read my Plot Whisperer and Blockbuster Plots books for writers
~~~~~~~~~
Time to rewrite your story? 
  • Ready for a massive rewrite? Re-vision first!
  • Confused about what you're really trying to convey in your story?
  • Lots of action, no character development? Lots of character development and no action?
  • Looking for tips to prop up your middle with excitement? 
  • Wishing you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
We can help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.

PlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises total