Showing posts sorted by date for query first quarter. Sort by relevance Show all posts
Showing posts sorted by date for query first quarter. Sort by relevance Show all posts

29 November 2014

How best to Use the Final hours of NaNoWriMo

Resist the temptation to rush through writing the end just to finish your story. Use wisely the few days that are left to you this month (keep in mind you can continue writing in December to finish your fast draft all the way to the end while at the same time taking part in PlotWriMo).

The beginning quarter of your story informs the end and the end informs the beginning. Forget all you've written of the middle for now. Focus on the how the beginning and the end thematically support  each other, how the beginning foreshadows the end and how the end satisfy the intent you established when writing the beginning of your story.
Examine who the character is portrayed to be in the beginning. What could she not do then and what she must do now at the end? How has who she presented herself to be in the beginning changed or transformed and into what?

See you December 1st and the beginning of PlotWriMo blog tour to re-vision your story.

For plot help and resources throughout the year

1)  The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories
2)  The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3)  The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.
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To continue writing and revising (and, lots of writers are finding PlotWriMo the exact right resource to help pre-plot for a powerful first draft. Knowing what to look for in a revision helps create a tighter first draft):
 ~~ View your story in an entirely new light. Recharge your energy and enthusiasm for your writing. 8 videos (5.5 hours)+ 30 exercises

24 September 2014

Above the Plot Planner Line: How to Test Pacing and Tension in Stories

When I'm not required to take notes in a Plot Consultation, I often create a mini-Plot Planner for myself to better "see" a writer's story and visually plot and follow along as she recounts scenes.

I cringe when I find the 2nd scene takes place around the dinner table with no conflict, tension, suspense or curiosity and the protagonist in control. Hating to write a scene under the Plot Planner line so early in the story, I celebrate when instead, I'm able to pop that same scene above the line because of what happens toward the end of the action.

The slow dinner scene ends with an object foreshadowed in a prior scene falling and threatening to expose the protagonist's secret, lie, irresponsibility, thus showing the protagonist no longer in control. His fear takes over thus moving this scene from quiet and safe to fraught with tension which earns the scene a place above the Plot Planner line. The short sense of normalcy (how the family interacts provides a glimpse into his backstory) offers us plenty of opportunities to compare who he projects himself when feeling safe and supported versus who he shows himself to be when stressed and uncertain.

Drawing a line by cause and effect, connecting one scene neatly to the next, I find nearly every scene is above the line in the first quarter of her story, proving to me that her promise to her reader is true -- this story is filled with external dramatic action and lots of ensuing chaos and mayhem, a page-turner, on the edge-of-your-seat-with-excitement sort of story, one any middle grade boy would be left clamoring for more.

Test your scenes by placing them one-by-one on a Plot Planner either above or below the line. Stand back and objectively assess the number and placement of slower, quieter scenes in relationship to more tension-filled, exciting scenes.

Today I write.
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For plot help:
Read my Plot Whisperer books for writers

Watch Plot Video Workshops Series:
Facebook group ask questions that come up in either series and share your progress.

10 August 2014

How to Show Character Mastery and Transformation through both the Internal and External Plots

The final quarter of your story carries the responsibility of getting your characters to the right place at the right time for one final confrontation and support the final opportunity that leads to success and ultimate transformation.
The scenes that comprise the final quarter of your story are filled with the tension of not knowing whether protagonist will win or fail at the climax.

Writing to the end of your story may very well be filling you with tension. Will I ever finish this thing???

Not just with your writing, you may find that with other parts of your life that somehow when your back was turned (though if you retrace scene by scene, you'd note the clear path) your antagonists have grown stronger and more determined and the stakes rise in intensity as you become more and more aware of all the ways you sabotage yourself from finishing and seizing that which you most desire (because, ultimately, no one else can fell us. We--us personally--are the only ones who give up).

Writers make symbolic gestures, like writing down specific daily writing goal and turning off the cable and removing the TV from the premises, promises to their writing lives and living proof of their commitment to themselves to write. Such dedication and willingness to do what's demanded to succeed at your goal!

You've been making good progress and then Bam! Blindsided by a familiar antagonist you'd mistakenly believed was sleeping, the backstory wound you've patiently been been nursing to health activates. This time, rather than touch off your transformed emotional maturity, the blow sends you spiraling all the way back to your old ways of dealing with hurt and betrayal or whatever your backstory wound oozes by beating yourself up and/or raging. Even so, slowly, you find yourself recovering more quickly after each hit and back to writing or whatever your passion as you continue to internally incorporate the you who you are becoming. New strategies and actions you learned during the hard times now serve you well.

Each time you take positive, conscious steps toward your goal, you find yourself acting with more and more emotional maturity than at any other time in your life. You take responsibility for the pain you've suffered and inflicted to get to where you are now and suddenly delight, finding gifts awaiting you and gaining confidence as you prove to yourself and everyone around you that you're passionate about growing and changing. You begin to see how you yourself influence the action around you at your weakest and now how you can change the action around you to benefit your goals through your new strength and determination and maturity.

In this last quarter proving ground on the way to mastery and your prize -- finishing your story, making peace with the past, falling in love again for the first time -- even as you fall back, you pick yourself up, learn, remind yourself of your goals, imagine your character at the end through a clear lens and take the next step needed to move forward.

Today I write!
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For more: Read my Plot Whisperer and Blockbuster Plots books for writers.
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Need more help with your story? 
  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
We can help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.


PlotWwiMo: REVISE YOUR NOVEL IN A MONTH
PlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises

24 June 2014

Emotional Elements of Plot: Stories that Last Evoke Emotion

Dramatic action creates the pace of a story and determines the level of story excitement. The thematic significance reveals the meaning of the piece.
An emotional connection is fused between the reader and the story through the character emotional development. Not simply how a character develops and transforms physically and intellectually, outfoxing and out-thinking and out-performing an antagonist, readers feel an emotional connection through the development of a character’s emotional maturity. In other words, how a character develops emotionally and spiritually provides connection, identification and interest.

Emotion and Emotional Development 
How do the following two lists differ and how are they the same?

  • Honest
  • Courageous
  • Deceitful
  • Stingy
  • Fugal
  • Shy

Versus

  • Anger
  • Frustration
  • Pensive
  • Apologetic
  • Defensive
  • Happy


Each of the examples originates in the character. How they differ is one is a list of character traits. The second list is of emotions.

Character emotional development and emotional change are each an essential scene element. They both: sound alike are related are often confused

Character Emotional Development 
Showing how the character’s traits change and/or transform over the course of the entire story defines the character emotional development plot and the development of such is an essential element in every scene. The protagonist’s emotional development takes place over time and culminates at the end of the story in a lasting transformation. The character’s emotional development can be plotted from the beginning to the end of the story.

Emotional Change 
In every scene, the protagonist displays a range of emotion reactions to the dramatic action. How she reacts often is reflective of the burden she carries from her backstory. These emotions, which fluctuate within each scene, are usually transitory and fleeting. Showing your character’s emotions shift and change is an essential element in every scene.

Plot is how the events in a story directly impact the main character. Always, in the best-written stories, characters are emotionally affected by the events of the story. In great stories, the dramatic action transforms characters. This transformation makes a story meaningful. The dramatic action demands a goal. The character emotional development demands growth.

Steps toward Transformation 
Each obstacle and antagonist in the dramatic action plot provides the protagonist with opportunities to learn about herself and thus advance her character emotional development plot. Before she can transform, she first must become conscious of her strengths and weaknesses. Stories show a character changing, at the least, and transforming at the most profound. Often you can accomplish this by creating a flawed character. Eventually, she will have to face that flaw and overcome it in order to achieve her ultimate goal.

Examples of Character Flaws

  • Always the victim and unable to take responsibility for actions           
  • Control freak
  • Argumentative and short-tempered 
  • Liar and a cheat 
  • Stubborn 
  • Always has to be right 
  • Perfectionist 
  • Procrastinator 
  • Sits in judgment

The main character’s flaw establishes the protagonist’s level of emotional maturity and points to the potential for growth or transformation. Her flaw interferes with achieving her goal and riles up her emotions.

How to Use a Character Flaw 
A character flaw is a coping mechanism that arises from the loss of an original state of perfection that occurred in the character’s backstory. The character stores the emotion created by what happened in the backstory. Her flaw is designed to compensate for a perceived vulnerability, sense of insecurity, and feeling threatened.

No matter how confident, every major character demonstrates lessons learned from the wound inflicted in her backstory that now is lodged in her core belief system. In reaction, she often surrenders some or all of the authority over her own life to someone or something else.

Emotion in the Beginning 
The beginning of your story establishes who the character is, flaws and all. Your readers can look back to this portrait and compare it to who she becomes as she undergoes a transformation after the crisis. The portrait also foreshadows who she will be at the climax.

At the beginning of a story, the character’s emotional reactions help identify and introduce her. By the end of the beginning scene at the one-quarter mark of a story, all of the protagonist’s most defining traits, positive and negative have been introduced. This turning point scene reveals the most defining character trait of all.

What emotion does your protagonist communicate about entering the middle of the story?

  • eager 
  • reluctant 
  • resistant 

This choice of hers shows her defining character trait starting out the story:

  • courageous 
  • timid 
  • afraid 

Emotions Intensify in the Middle
The emotions the protagonist managed to keep in check in the beginning of the story begin to unravel in the chaos and uncertainty of the unfamiliar world in the middle of a story. Overwhelmed and fearful, challenged and hurt, the protagonist becomes vulner­able. Most importantly, the middle deepens the audience’s appreciation for the protagonist’s emotional maturity, or lack thereof, by her emotional reactions as the obstacles become more difficult to surmount.

All the outer events, ordeals, successes, and failures of the character constitute the dramatic action of a story and provide the catalyst for change. The farther the protagonist penetrates into the new world of the middle and the more obstacles she confronts, the character’s emotional defenses begin to break down and her emotions turn bleaker and darker. Unable to function at a superficial level any longer, she begins to experience heightened emotions, ones that touch the core of her being. When she is prevented from reaching her goal, her emotional reaction changes subtly over time, flicking back and forth in the scene like a trapped fly.

Emotional Maturity 
One of the defining elements of the final quarter of a story are the number of complications the protagonist is slapped the nearer she moves toward achieving her goal. With each complication, the protagonist suffers some sort of reversal. Yet, unlike the reversals in the middle of the story, the protago­nist no longer loses power even if she is physically, mentally or emotionally restrained or injured. As the character emotional development changes, her emotional expression changes, too. What begins with the display of emotional upheaval transforms into emotional maturity.

At the end of a story, as a result of the action on the page, the character’s transformation is revealed through the change in her choices and in her emotional responses from how she acted in the beginning and in the middle. 

The plot of a story is about a character faced with a series of conflicts and obstacles while in pursuit of a goal, which, over time, inspire her to change her choices. In the end, she is transformed, and her ultimate transformation creates her anew with a different understanding of herself and her existence.
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For more: Read my Plot Whisperer and Blockbuster Plots books for writers
~~~~~~~~~
Time to rewrite your story? 
  • Ready for a massive rewrite? Re-vision first!
  • Confused about what you're really trying to convey in your story?
  • Lots of action, no character development? Lots of character development and no action?
  • Looking for tips to prop up your middle with excitement? 
  • Wishing you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
We can help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.

PlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises total

10 June 2014

A Soul Shattering Tip How to Plot the End of Your Novel, Memoir, Screenplay

October 17, 1989, at 5:04:15 p.m. (PDT), the epicenter of a magnitude 6.9 earthquake hit nearly smack in my garden. The doorframe I clutched shifted erratically, the floor beneath me shook, the house creaked and moaned and all water in the little neighborhood pool rose up into the air and broke over the side. As Robert Page, U.S. Geological Survey writes of the event:

"It was a wakeup call to prepare for the potentially even more devastating shocks that are inevitable in the future."

That's sort of like what happens to the protagonist when hit by the Crisis around the three quarter mark of your story. The ground shakes, uncovering all illusions about herself and the world around her, leaving her blinded by the truth of her own insignificance.

What truly defines the protagonist is what she does after the crisis. From one extreme of intense vulnerability to another of shame and discomfort WHILE also knowing she had a part to play in her own demise AND that the crisis is merely a wakeup call to prepare her for the potentially even more devastating shocks that are inevitable in the future.

Her motivation must be strong and meaningful to go forward in the face of such torment. So much easier to get lost in the haze of addictions and self-loathing… oh, that's the human condition. For your protagonist, there is no stopping beyond a spell of reflection, gathering resources and allies and letting go of everything that no longer serves her.

At the point she steps over into the last quarter of the story to gain her true freedom, the End begins. 

Along the way on her ascent to the Climax, quake your story with some of those inevitable and more devastating aftershocks. Entering the End she's wobbly, uncertain, and highly vulnerable. Her emotions are at their peak. The hits give her chances to stretch beyond who she was beforethe crisis, come into mastery or at least a firm grip of all the lessons and knowledge she's gained and prepare her for the Climax where she demonstrates who she is becoming.
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Need more help with your adult, young adult, middle grade, picture grade story? 
  • Ready for a massive rewrite? Re-vision first!
  • Confused about what you're really trying to convey in your story?
  • Lots of action, no character development? Lots of character development and no action?
  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
"I didn't know what I didn't know," says one cozy mystery writer after watching the videos (more reviews on Vimeo). View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.

1st video (43 minutes of direct instruction + exercises for your own individual story) FREE
PlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises total

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For more: Read my Plot Whisperer and Blockbuster Plots books for writers.

26 April 2014

Character Consistency

I've been gushing about character transformation since the moment I first grasp the ultimate gift awaiting the protagonist and reader and the writer at the Climax based on lessons learned and conflict and tension endured.

The antagonist's world in the middle is not simply to throw road blocks to knock the protagonist from her path to what she thinks she wants. A deeper and more lasting point of the conflict and challenges in the middle are the lessons, skills, abilities, knowledge, beliefs buried in the interaction with other characters (relationships).

Character transformation is cumulative and spans the entire story.

To be successful, you're best served by tracking for character consistency in every single scene.

One method is with a Scene Tracker. The column to address is Character Emotional Development.

  • Beginning quarter = introduce character traits 
  • Middle = deepen and break traits 
  • End = reveal a changed and transformed character
  ~~~~~~~~
Need more help with your story? 
  • Ready for a massive rewrite? Re-vision first!
  • Confused about what you're really trying to convey in your story?
  • Lots of action, no character development? Lots of character development and no action?
  • Looking for tips to prop up your middle with excitement? 
  • Wish you understood how to show don't tell what your character is feeling? 
  • Are even you sometimes bored with your own story?
  • Long to form your concept into words? 
We can help you with all of that and so much more! View your story in an entirely new light. Recharge your energy and enthusiasm for your writing.

1st video (43 minutes of direct instruction + exercises for your own individual story) FREE
PlotWriMo: Revise Your Novel in a Month includes 8 videos  (5.5 hours)  + 30 exercises total
For more: Read my Plot Whisperer and Blockbuster Plots books for writers.

27 February 2014

Writing in Snippets rather than Writing in Scene

As a strategy to seize back power from the self-doubts and self-sabatoging behaviors around her writing, she signs up for ongoing plot consultations with me.
When I learn of the sacrifices she makes to afford my support, I understand how deep her resistance and negative self-talk cuts.

With the 4 Energetic Markers identified through all major plot lines, she plots scenes ideas for the beginning quarter of her story. At the same time we agree to begin incorporating actual writing into her homework. Appreciating that writing is a dance between resistance and flow, I give her two weeks to begin writing.

When she next checks in, I nearly hold my breath in anticipation whether this self-described writer who puts off writing and puts off writing and puts off writing actually wrote anything. She reports progress with the necessary research for a firm grasp of some of the activities that take place in her story and describes the banner paper she bought online and reinforced on the wall and placed the major scenes in place.

Then the news I've been waiting for. I cheer upon hearing she has indeed written. Rather than the usual sweaty palms as she works and reworks the same beginning chapters over and over again, she was determined to try writing in a new way. She'd convinced herself that writing in snippets was easier, less threatening, than writing in complete scenes and so that's what she did. She wrote snippets for the first 2 scenes.

I eager await our next session to learn if she commits to writing actual scenes with beginnings and middles and ends. She appreciates the need for complete scenes, having learned first-hand how difficult and slowing the process of keeping track of and fitting together all the various snippets.

The even greater challenge: Will she be able to write the next 4 scenes WITHOUT going back to rewrite the 2nd scene (snippet) to incorporate ideas she generated during our session and without rewriting the snippets into scenes?

An organizational system for note-keeping (rather than allowing herself back into what she's already written) I prefer is keeping notes on a Plot Planner. Because she readily admits to being a pretty disorganized writer, the idea of adding notes to the Plot Planner she's installed in her writing room appeals to her.

I know she can complete the homework. Now the question becomes, can she walk fully into the person she's becoming, empowered, taking charge of her life, trying new ideas, facing her fears and conquering them? I believe in her. Does she believe in herself? Do you? If not yet, I know she will. When will you?
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For more: Read my Plot Whisperer and Blockbuster Plots books for writers.

26 February 2014

What Happens after the Crisis and Before the Protagonist Ends the True End of the Story?

The drop in the energy of a Universal Story is symbolized on the Plot Planner by the downward line after the Crisis. This entire downward line can be viewed as the threshold separating the middle of the story from the end. Literally, a threshold is a doorsill or the starting point of an experience.

On the Plot Planner and in the Universal Story, this threshold encompasses the integration of and preparatory time needed after the crisis and before the actual crossing over into the final quarter of the story. The length of the line as the energy contracts depends on your story. In high-action stories, the drop in intensity may occur over one short scene. At its core, this time of regrouping takes place on a purely cognitive level. Though the protagonist may assemble the resources she plans to take forward with her, until she takes her first step toward her final goal she remains in the middle of the story and, as yet, has not entered the final one-quarter of the story.

This is a time, whether brief of for several scenes, of rest for the protagonist and recovery after the Crisis. It's a time of recollection, integrations, assessment and review. Before blindly reacting as always, finally now, she takes time to re-evaluate, re-invent, re-form, and redo things. She's unsteady after all that has befallen her. She makes mistakes, misjudgments and misreading as she reflects and prepares for the final ascent to the Climax.

The drop in energy allows for the reader and audience to rebuild anticipation and expectation for what will happen when the protagonist ultimately leaves the middle of the story and sets out for the climax at the end of the story.

As the protagonist considers the thoughts that have held her captive, she can mourn what was. But rather than hold onto those same old beliefs and continue to retard her progress, now she is free to reshape her life by speaking and acting in her own truth. Once she develops a new belief system, a shift occurs in her life. Having wakened to her potential, she is finally clear to seize that which she most longs for. And… the End begins. (Excerpt taken from The Plot Whisperer: Secrets of Story Structure Any Writer Can Master.)
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For more: Read my Plot Whisperer and Blockbuster Plots books for writers.

25 February 2014

Plot Tip How to Decide Which Scenes to Keep and Which Ones to Toss

The experience of teaching online Plot Workshops to small groups of writers using innovative technology that allows ten of us to see and interact live together is without a doubt the best teaching experiences I've ever had. The workshops revolve around weekly homework assignments from Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories.

A homework question came up about plotting scenes above and below the Plot Planner line.

1) The Plot Planner line shows the steady increase in tension as the story rises to the Crisis and and then again to the Climax . The Plot Planner is also a line that divides scenes with lots of conflict, tension, suspense from those scenes that are quieter and where the protagonist is in control.

Often in a rewrite after a major revision, scenes below the line switch from scenes to summary in order to move the character quickly from one dramatic action scene to the next. (For instance, if you find that a scene you wrote to move characters from one location to another does not have much external dramatic action, consider turning the scene into summary. Allows for a faster pace in the first quarter of the story, moving the reader smoothly to the middle.)

2) Also, seeing scenes lined up above the line on the Plot Planner often frees up ideas how to incorporate two pretty good scenes to make one terrific scene.
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PLOT WORKSHOPS and RETREATS
A PATH to PUBLISHING using the Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories
Choose the NOVEL TRACK or the PICTURE BOOK TRACK for 4, 10 and 16-week workshops to ensure you understand concept, plotting, character development, scene development, action and emotional arc development, as well has how to pitch your work to agents, editors, and readers. Live online video chat technology. I recommend writers of all genres and all ages take at least one picture book plot workshop. Narrows all plot concepts down to 28 pages and 500 words for clarity.

WRITER PATH PLOT and SCENE RETREATS in the heart of the Santa Cruz MountainsYour story deserves to be told. Your writer’s soul needs to be nourished. Over a weekend you’ll learn how to identify and write the key lynch-pin scenes that build a page-turning story, master crucial scene types and go deeper into your plot by applying the three key layers that run through all great fiction: action, emotion and theme. Reserve your spot now for the 1st Annual Writer Path Retreat.

For more: Read my Plot Whisperer and Blockbuster Plots books for writers.

25 November 2013

Finish Your Story in a Month with a Flourish

Resist the temptation to rush through writing the end just to finish your story. Use wisely the few days that are left to you this month (keep in mind you can continue writing in December to finish your fast draft all the way to the end while at the same time taking part in PlotWriMo).

The beginning quarter of your story informs the end and the end informs the beginning. Forget all you've written of the middle for now. Focus on the how the beginning and the end thematically support  each other, how the beginning foreshadows the end and how the end satisfy the intent you established when writing the beginning of your story.
Examine who the character is portrayed to be in the beginning. What could she not do then and what she must do now at the end? How has who she presented herself to be in the beginning changed or transformed and into what?

See you December 1st and the beginning of PlotWriMo to re-vision your story.

NaNoWriMo Schedule:
11/22 -- 11/28 Write the End 1/4
11/27 -- Write the Climax
11/28 -- Write the Resolution
11/29 -- 11/30 Catch-up

***Give yourself the gift of deepening your plot and your understanding of your story, your characters,  and who you are as a writer. Sign-up for the virtual Plot Whisperer Workbook Workshops beginning January 2014 to get you writing smarter and faster and more joyfully with a deeper understanding of plot.  
~~~~~

 PLOTWRIMO begins in 5 days and 18 hours. Dig out that old story you threw in the bottom drawer of your filing cabinet. Finish up the draft you're fast writing now. Come with a wisp of a story idea. Beginning December 1st, follow the exercises on the Plot Whisperer blog to re"vision" and redefine the plot arc of your story. PlotWriMo is custom designed to ensure your success even during the busiest time of the year.

Begin 2014 ready for a powerful rewrite.
~~~~~
The following resources help you prepare for PlotWriMo:

1) Plot your story step-by-step with the help of The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories

2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
named BEST BOOKS FOR WRITERS by Poets and Writers. The author provides insight on how to create works of fiction with powerful stories and focuses on how to devise a Universal Plot, plot lines and subplots, compelling scenes, and character transformation.
 
3) Refer to The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing for writing prompts for scene #1 to the very The End, one prompt at a time.
4) Watch the Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. Scroll down on the left of this post for a directory of all the steps to the series. 27-step tutorial on Youtube
5) Watch the Monday Morning Plot Book Group Series on YouTube. Scroll down on the right of this post for a directory the book examples and plot elements discussed.
For more tips about how to use plot and the Universal Story in your novel, memoir or screenplay, visit:

Plot Whisperer on Pinterest 

***** Knowing what to write where in a story with a plot reinforces daily writing practice and allows for more productivity in your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts in The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.

Today, I write.

15 October 2013

Last 3 Months of the Year is Like the Last 1/4 of a Story

In the final quarter of the year, like your protagonist in the final quarter of your story, you have assessed your past plans and goals for the purpose of creating a right and appropriate future. To succeed, like your protagonist, you must face your greatest fear in order never to fear again. Fear of failing, fear that what you write will be no good, fear that no one will read your story, fear that all the time it takes to write a story with a plot from beginning to end won't be worth it, fear of _________. Fill in the missing blank for yourself.

As the protagonist moves toward the climax, she is focused and filled with purpose. She knows what she needs to do and she knows she is the only one who can do it. In doing what is needed at the climax, she fulfills her unique destiny. This clarity and single-minded focus does not belie the truth of the travail and turbulence she meets along the way. Great risk is required as is great suffering before she reaches the climax.

What started at the beginning of the story when you first set out seems so simple and clear now. In the middle of the story, you often turned ambivalent as the new world’s complexity and challenges unfolded. Still, she never stopped moving nearer and nearer to her crowning glory. In changing the choices she made and sacrificing the familiar, she transformed her life. You know what you're doing. Now your passion is clear and creative.

The climax is what all the other scenes in the story add up to in the end.
(excerpt from The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories

Need help pre-plotting and writing a fast first draft from beginning to end before the end of 2013?

Join me from the comfort of your own home for my live PLOT WORKSHOP Webinar hosted by Writers Digest on Thursday, October 17, 2013 at 1p.m. ET.

Learn more and sign up: How to Pre-Plot and Complete a Novel or Memoir in a Month: The Benefits of Writing a Fast Draft from Beginning to End.

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Take the PLOTWRIMO Pre-Challenge:

You have 1 Month, 2 weeks and 1 day to get a draft written in time for PlotWriMo. Beginning December 1st, follow the exercises on the Plot Whisperer blog to re"vision" and redefine the plot arc of your story. PlotWriMo is custom designed to ensure your success even during the busiest time of the year.
Begin 2014 ready for a powerful rewrite.

~~~~~
The following resources support you in your pre-challenge:
1) Plot your story step-by-step with the help of
The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories

2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
named BEST BOOKS FOR WRITERS by Poets&Writers. The author provides insight on how to create works of fiction with powerful stories and focuses on how to devise a Universal Plot, plot lines and subplots, compelling scenes, and character transformation.
 
3) Refer to The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing
for writing prompts for scene #1 to the very The End, one prompt at a time.

4) Watch the Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. Scroll down on the left of this post for a directory of all the steps to the series. 27-step tutorial on Youtube

5) Watch the Monday Morning Plot Book Group Series on YouTube. Scroll down on the right of this post for a directory the book examples and plot elements discussed.

For more tips about how to use plot and the Universal Story in your novel, memoir or screenplay, visit:
Plot Whisperer on Pinterest 

***** Knowing what to write where in a story with a plot reinforces daily writing practice and allows for more productivity in your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts in The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.

Today, I write.

30 July 2013

How Much Backstory in the Beginning is Too Much and How Little is Too Little?

Question from a writer on Facebook:
You and most writing gurus suggest not weighing down the beginning with Backstory. I agree. I usually start in action/dialogue in the present, but lately I have a friend who thinks I don't explain enough about my characters to get the reader interested.

She said to look up successful romance writers and how they present characters. I went on Amazon and read several previews. For example, Bella Andre From This Moment On is entirely backstory in Chapter 1. She even has a flashback for the second scene. I'm confused because she's definitely successful and I wonder if readers or at least her readers like the backstory in Chapter 1.

What are your thoughts? I have all your books and am using the Writing Prompts one. Obviously I want to write a scene to show my character's motivation and current state, but I wonder if readers really mind.

Answer from me:
Yours is a universal question. How much backstory is too much and is little-to-none not enough?

First, I have to admit that my rather firm suggestion to not weigh down the beginning of a story with Backstory comes from two sources.

1) I developed a deep empathy for the dyslexic children I worked with back in the day I owned and operated a speech, language, learning clinic for children.

Struggling readers demonstrate the complexity of the entire reading experience. Understanding that words are made up of consonants and vowels that translate into letter symbols and decoding the words and understanding the meaning of those words and memorizing sight words and then grasping that a group of words followed by punctuation make sentences that make paragraphs and chapters and reading quickly enough to remember the meaning behind the words leads finally, when lucky, to comprehension.

Throw in all sorts of time jumps with prologues and flashbacks, flash forwards and memories and an already challenging task becomes a source of frustration rather than pleasure.

2) Working with writers, I've heard every different way you can think of to insert backstory information and most of them slow down the story. That is not to say that successful writers don't insert backstory up front. They do. All the time. You can, too.

That said... I continue to suggest not weighing down the beginning with backstory.

Supporting the beginning by offering just enough backstory with clear and engaging writing is fine. Giving more emphasis to the backstory than the front story gives me pause and I wonder, why not tell that story instead?

What I resist is inserting an actual flashback too early. A flashback is told in moment-by-moment action in real time in the past which is different from the front story time. It is the flipping back and forth in time early-on in a story that can cause confusion. Your goal in the first quarter of the book is to hook and ground the reader. A flashback often interferes with the successful completion of that goal.

P.S. I love knowing the little brown PW book is by your side! Thank you.

*****SPECIALS*******

1) Track Your Plot at the Scene Level Webinar
Learn to Maximize the 7 essential plot elements in every scene (one of 7 essential plot elements in every scene is CONFLICT) from the comfort of your own home.

*****
Knowing what to write where in a story with a plot reinforces daily writing practice and allows for more productivity in your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts inThe Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.

Today, I write.

To familiarize yourself with the basic plot terms used here and in the PW Book of Prompts:
1) Watch the plot playlists on the Plot Whisperer Youtube channel.
2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3) Fill out the exercises in The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories
4) Visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter
Plot Whisperer on Pinterest

27 July 2013

What Happens After the Crisis (not to be confused with Climax) of Your Novel, Memoir, Screenplay?

The drama at the Crisis of her coming-of-age historical novel is exciting, life-or-death and edge-of-your-seat external action.
Check.
The action fits thematically with the character emotional development.
Check.
The character suffers at the Crisis.
Check.
In the simultaneous release of energy at the Crisis, the character sees herself and the world around her in a new and transformed way.
Check.

Trouble with the plot begins seconds after the Crisis. Immediately the character acts in a transformed way.
Why is that a plot problem?
Flipping the protagonist from the character she's been throughout the story in one scene to mature and a master over her fear in the next scene dilutes the moment of greatest intensity in the entire story so far.
Facing her fear and winning is her Climax.
She still has another quarter of her story to reach the true Climax of the story.

Plot Tips:
Rather than speed up the effects of the Crisis on the protagonist, allow the energy to subside a bit (the downward line on the Plot Planner).
Give the protagonist time.
Allowing her the time she needs to reflect on what she learns at the Crisis about herself (character emotional development plot) and about the dramatic action plot, too, gives more emphasis and reinforces the impact of the Crisis.
Show what she looks like and what she viscerally experiences as she practices and explores and ponders the deeper meaning of her life and all life in this unusual and unpredictable and capricious time as she stands between who she has always been and who she is becoming.

(Excerpt from The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories.)
*****SPECIALS*******

1) Track Your Plot at the Scene Level Webinar
Learn to Maximize the 7 essential plot elements in every scene (one of 7 essential plot elements in every scene is CONFLICT) from the comfort of your own home.

*****
Knowing what to write where in a story with a plot reinforces daily writing practice and allows for more productivity in your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts inThe Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.

Today, I write.

To familiarize yourself with the basic plot terms used here and in the PW Book of Prompts:
1) Watch the plot playlists on the Plot Whisperer Youtube channel.
2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3) Fill out the exercises in The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories
4) Visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter
Plot Whisperer on Pinterest

28 June 2013

A Coming of Age Story or Rediscovering a Lost Skill?

She's confused about how best to begin her middle-grade historical novel.

After  many drafts, she's perfected the plot and structure of her story and seamlessly incorporated a fascinating historical character and event into a contemporary story. Now, as we consider only the first quarter of her story, it becomes clear that the writer has not yet completely determined the depth of who her protagonist truly is.

She tells me the young male protagonist use to be brave and then lost his courage due to the backstory wound inflicted by the sudden death of his father. Yet, as she conveys her scenes to me, it becomes clear that there is confusion between whether he has always been small and scared versus having once been brave and then lost his courage.

As she decides which traits he embodies at the beginning of the story, she then must decide whether those traits will change and develop over the course of the entire story and lead to his ultimate transformation or whether old strengths that have been lost due to his backstory will be rediscovered along the way. This is a subtle yet pivotal difference that affects the tone and emotion of the entire story.

29 May 2013

How to Show Character Transformation

At the beginning of the plot consultation, the writer expresses a desire / need to deepen the relationships between the three major characters in her science fiction novel and create a satisfying character transformation at the end.

With the dramatic action plot firmly in place, the writer is better able to concentrate on those elements more challenging for her -- everything that has to do with character emotional development. Together, we plot out the primary relationships in much the same way as we plotted out the dramatic action -- analyzing each scene for openings to introduce, develop and transform each of the relationships.

When it comes to the character emotional development transformation, we focus solely on the final quarter of the story. Though the pace of the action and conflict and intrigue and excitement builds incrementally, the protagonist stays essentially flat, preforming the same actions as she has throughout the story and reacting to the final challenges in a similar manner as she did in every other scene in the story.

As soon as the writer understands how transformation works, she immediately comes up with innovative ideas how to show character change and come into her own personal power.  And, there, smack dab in the middle of the climax scene and patiently waiting all along is the perfect opportunity to show the protagonist in her crowning glory.

For an in-depth resource to all the questions to ask about conflict when writing a novel, memoir, screeplay, refer to  The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories.



*****SPECIALS*******

1) PW BOOK AND WORKBOOK GIVEAWAY!
Sue Bradford Edwards of WOW! Women on Writing Blog has written a wonderful review of the PW book and workbook by showing how she used the resources with her own story. We are giving away 3 The Plot Whisperer: Secrets of Story Structure Any Writer Can Master and 3 The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing

2) Track Your Plot at the Scene Level Webinar
Learn to Maximize the 7 essential plot elements in every scene (one of 7 essential plot elements in every scene is CONFLICT) from the comfort of your own home.

*****
Knowing what to write where in a story with a plot allows for a more loving relationship with your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts inThe Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing

Today, I write.

To familiarize yourself with the basic plot terms used here and in the PW Book of Prompts:

1) Watch the plot playlists on the Plot Whisperer Youtube channel.
2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3) Fill out the exercises in The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories
4) Visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter

20 May 2013

To Cut a Subplot or Not to Cut a Subplot

The action at the Climax is big and external and life or death and... well, it's great. The scene sounds like the culmination of exciting action in a truly exotic setting. We move from the dramatic action plot to the character emotional development plot -- or, in other words, why the protagonist does what she does at the climax and what her actions mean to the story overall. By the gaps and questions she has, I understand she's written the first draft primarily from the dramatic action and the correct historical point of view.

With probing and support, she establishes the character emotional development arc. In doing so, she knows who the character is throughout the story and how to begin incrementally showing her true transformation as she enters the final quarter of the story.

We establish the other key scenes and begin plotting out scenes from beginning to end. As we do, the writer throws out a subplot, entirely. Later she throws out another. Granted she is a bit nervous about having too many subplots. Still, before she cuts for cutting's sake, I'd like her to consider the subplots for what they contribute to the story thematically. I'd like her to consider all her plotlines for what they contribute to the story thematically.

She's written an entire draft and ended up with the bones of a fantastic story. Her first rewrite is a terrific time to begin searching for themes and how plots and subplots help tie the themes together and bring meaning to the story overall.

For an in-depth resource to all the questions to ask about theme when writing a novel, memoir, screeplay, refer to  The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories.

AND

Watch Thematic Significance Playlist at How Do I Plot a Novel, Memoir, Screenplay?

*****
PW BOOK AND WORKBOOK GIVEAWAY!
Sue Bradford Edwards of WOW! Women on Writing Blog has written a wonderful review of the PW book and workbook by showing how she used the resources with her own story. We are giving away 3 The Plot Whisperer: Secrets of Story Structure Any Writer Can Master and 3 The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing

*****
Knowing what to write where in a story with a plot allows for a more loving relationship with your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts inThe Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing

Today, I write.

To familiarize yourself with the basic plot terms used here and in the PW Book of Prompts:

1) Watch the plot playlists on the Plot Whisperer Youtube channel.
2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3) Fill out the exercises in The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories
4) Visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter

13 April 2013

Searching for the Strongest Climax

I am often asked what the #1 problem writers have with plot. My answer varies, depending on the most recent plot consultation or plot workshop I've just done.

Writers often struggle with finding the exact right climax and resolution to their novels, memoirs an screenplays.

So much time and thought and writing goes into developing a compelling protagonist with a mysterious back story, deciding where is the exact right beginning of the story, how to make the action exciting and the book concept big, the details just right, the dialogue snappy, the setting exotic, the crisis disastrous.

I rarely (and I mean rarely) find a writer who has thoroughly thought out the climax and written the end quarter of the story as many times or more than the beginning.

Sure, writers bog down in the middle and thus the climax seems incredibly far away -- nearly out of reach. By the time a writer limps her way to the climax, the story is lucky to have an ending at all, much less an ending that is meaningful and different and leaves the reader satisfied and wanting more.

The end of a romance novel, even if it is for a teen, especially if it is for a teen, is so much more than... they lived happily ever after. You have been so careful not to use cliched phrases, metaphors, settings and have worked to make every element uniquely your own. Why settle for a cliched ending?

When a character rises in triumph at the climax, what does she look like, act like? In the resolution, what does the world look like now that she is new and different and transformed and has shared the gift she came to share?

Take an ending you're sure has no value and turn it on its ear. See the ending from a different angle or perspective. Write that.

Strive to give the reader something new and fresh and miraculous...

The Story End 
That fabulous beginning of your story and that wild twist in the middle do not count nearly as much as to a reader as the end of the story. Sure, you hope she looks back and sees how everything is seamlessly tied together. In fact, what she’s going to think about first is how the story ends.

Readers and audiences are affected first and foremost emotionally by the story they read, whether the story evokes fear or anger, joy and celebration, or sadness and resignation. Connecting with readers emotionally to the point they become instinctively involved in the story is the dream of every writer. The best place to search for this emotional effect is at the climax.

Think Different
Look beyond the words and sentences and scenes to the deeper pattern of your story. Every protagonist begins a story wanting something. The real reason that she goes after what she wants never (or rarely) is her stated reason. In fact, at the end of the story the protagonist can, and often does, fail at her stated goal. The reader cares because she knows the protagonist has actually won what she wanted and all that really matters is herself. She has gained self-knowledge and because of that she has been changed and transformed.

After having all of her layers stripped away one by one as false or unreliable, the protagonist reaches the point where she either must break down and live an unlived life or stand straight and rely on herself. To do that, first she must find the self on which she can rely. This is why often in a story, the protagonist’s stated goal fades and is replaced by the real goal.
*****

Knowing what to write where in a story with a plot allows for a more loving relationship with your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts inThe Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing

Today, I write.

To familiarize yourself with the basic plot terms used here and in the PW Book of Prompts:

1) Watch the plot playlists on the Plot Whisperer Youtube channel.
2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3) Fill out the exercises inThe Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories
4) Visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter

15 March 2013

Character Consistency

Not much into developing character?
Confused about what exactly is your character's flaw?

Plot Tip:
Explore your list of scenes in the beginning quarter of your story.

In Scene #2, your protagonist gives up easily and runs away. Where else in the beginning scenes does she give up? In Scene #5 she run away from her problems again. This time, when she stops running, she refuses to give up and determinedly devises up a plan.

At this point, ask yourself what depletes your protagonist of her power and what fills her with energy? You determine that her actions in these two scenes, though they advance the dramatic action plot, show inconsistent character emotional development in seesawing back and forth between giving up and taking charge.

In Scene #8, her actions show her to be emotionally immature. We understand she does not have the emotional steadiness because she refuses to buy into the prevailing belief system around her. A character willing to defy convention based purely on passion and conviction has the makings of a hero and further demands consistency in how her character emotional development is introduced in the first quarter of the story of plot.

With careful plotting, a few scenes later, her first true act of rebellion leads to the End of the Beginning scene.

SPECIAL EVENTS:
1) Plot Whisperer and Literary Agent Virtual Workshop
10-Hour Workshop to hone your plot, shape your concept and perfect your voice and write with goal of readying your work for today's market.

2) How to Get Moving on Your Work in Progress: A Review of The Plot Whisperer Book of Writing Prompts by Sue Bradford Edwards on WOW! Women on WritingEnter to win in the 5-Book-Giveaway for The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing

Knowing what to write where in a story with a plot allows for a more loving relationship with your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts in The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing

3) Feature Article:
Emotional Elements of Plot
Showing how a character feels fuses the relationship between characters and the audience or reader. Showing how the character transforms delivers on the promise of your story. Learn the difference. Plot tips how and where to develop transformational emotional maturity. Read the entire article:
http://www.scriptmag.com/features/emotional-elements-of-plot.

Today, I write.

To familiarize yourself with the basic plot terms used here and in the PW Book of Prompts:
1) Watch the plot playlists on the Plot Whisperer Youtube channel.
2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3) Fill out the exercises in The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories
4) Visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook

Plot Whisperer on Twitter