Weeklong Blog Tour for PlotWriMo: Revise Your Novel in a Month beginning December 1st

Thanks to a very generous benefactor, we are taking PlotWriMo: Revise Your Novel in a Month on what appears to be developing into a massive blog tour beginning December 1st through the 5th!

Seven years ago, I began offering the beta version of PlotWriMo for novelists who were word drunk from NaNoWriMo. Over the years I continued refining and perfecting the steps to help writers revise all those words generated in November into a compelling story with a plot (and all other novelists and memoirists and screenwriters alike struggling to create a pleasing stories for readers)

Earlier this year, I partnered with Jill Corcoran who brought her insight and love of concept and knowledge of the inside of publishing. Together we created an entire video series of the program. The feedback and "ah ha" moments we have received have been enormously rewarding and makes all the time and hard work worthwhile.

Sample of ah ha Moments from Writers Using PlotWriMo to Revise their Stories
"Now, what did I learn from the videos? Goodness, what did I not? It's all about the structure. Being a pantser doesn't work when you are revising (Not sure it would work for me - ever), but you have to be clear in your journey. I also learned to forgive myself. To keep writing. And that we can learn from our mistakes and become better writers."

"Jill (video 4, I think) explained what agents meant when they say "They didn't connect" and it was like a lightbulb had been screwed in my head-- I failed to meet all of the essential elements of a scene. There was always something about my former MS that I could never pinpoint that felt off, and that was just it! I needed more emotional development, conflict/ tension, dramatic action and clear goals PER scene."

"I watched the Revise Your Novel in a Month videos and really began to understand the difference between crisis and climax and the key ways to develop each part of the plot."

"PlotWriMo is the closest “formula” for structuring a book I’ve ever discovered. It’s like an algebra equation for writing – if you’re missing any of the energetic markers you can’s solve for X."

"It’s helped me re-envision my own work and I can’t stop myself from dissecting every movie and book I’ve read since."

"I've learned a lot through the PlotWriMo series. I've always struggled with revision, but the PlotWriMo series has helped me organize my revision so that I am going deeper than I ever have before at making my story shine."

"I watched PlotWriMo and learned about EMs, concept and that the antagonist OWNS the middle."

“Ah, ha” Moment: The exercise of writing down all of the themes, and getting down to the grittier ones. And when I found my darker theme was about loss, and the threat of losing someone you love. I couldn’t believe when I went back and looked at the Energy Markers and found that common theme. I’m working on deepening the scenes with metaphors and thematic significance."

"Don't start drafting until you're happy with the concept and markers."

"As for what I learned, viewing both the crisis and the climax from my antagonist’s point of view gave my story dramatic action and the depth it needed to bind the story and pull in the reader."

"Yet my greatest aha moment came with the challenge of writing the concept, giving my story definition. As a young woman I took my family on some exciting adventures, wounds and all, and the only dream still intact in the end was my passion and desire to be a writer. I couldn’t just throw out my concept because it wasn’t good enough, or my life wouldn’t be either. Crafting my concept, meant validating what I had done and why, all the parts and pieces."

"I really had an "aha moment" when Martha Alderson talked about the end mirroring the beginning."

The icing on the proverbial cake is all the great success we hear from writers like the one writer who secured an agent (having the amazing opportunity to chose from 3 offering her contracts). As she writes: "No word of lie - it is absolutely thanks to Jill Corcoran and Martha Alderson! The last round of revisions changed everything! I just thank god I have the videos and future classes for other books! I have worked like a dog on this book, but the videos and Martha's book really changes everything. The advanced workshop kicked my butt in the best way possible and made me really rethink some things and made the work so much better!"

The tour begins December 1st through the 5th so if you'd like to add your blog to the tour, please sign up ASAP. 

We're using the opportunity to spread the word about writing and revising stories and about A Path to Publishing in general. Jill and I will visit all the participating blogs, comment and award prizes. (If you'd like to simply follow along on the tour, I'll list the participating blogs here during the tour.)

See you soon!

For help about the Energetic Markers to write toward every week of NaNoWriMo.
The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories

For plot prompts to move your writing everyday and reach each major turning point: The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing. To complete write your story in a month, complete 4 prompts everyday. (As one writer proclaims: The PW Book of Prompts is my lighted path…)

For plot help and resources during NaNoWriMo: 

1)  The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories
2)  The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3)  The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.
  ~~~~~~~~
To continue writing and revising (and, lots of writers are finding PlotWriMo the exact right resource to help pre-plot for a powerful first draft. Knowing what to look for in a revision helps create a tighter first draft):

•  
• PlotWriMo: Revise Your Novel in a Month

 ~~ View your story in an entirely new light. Recharge your energy and enthusiasm for your writing. 8 videos (5.5 hours)+ 30 exercises

How to Develop a High Concept in Novels, Memoirs, Screenplays

We had a plot consultation a couple of years ago. At the time, I worried her story wasn't High Concept -- you know, that something special, exotic, unexpected. Without a high concept, a story may never find an agent, publisher, audience.

Prior to our recent consultation, I read her current synopsis and worry I've lost my ability to remember writers' stories. I do not recognize any of the character, action or thematic elements. The writing and content in her synopsis give me goosebumps. Intrigue, mystery, romance, secrets and lies, wrongful arrest and sentencing, provocative themes = high concept elements, for sure.

She starts the consultation by saying she's never stopped thinking about our original consultation and never stopped digging deeper. As we discuss her story, I continue to struggle to remember her story only to find that during the time since we last spoke and while laid up with a broken ankle, she stumbled across a compelling news story she subsequently integrated into her original ideas.

With this new layer and major plot line the story comes alive.

With this new layer and major plot line the writer's excitement and energy and enthusiasm also come alive.

She successfully integrated the new plot line which involves a second POV into the beginning and middle of her original story and then stalled out when coming up with a crisis and climax for each POV.

I'll share that process later. For now, I just want to revel in the thrill of seeing what can come with an open mind and a willingness to move out of one's comfort zone to the razor's edge of not knowing...

For an in-depth resource to all the questions to ask about conflict when writing a novel, memoir, screeplay, refer to  The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories.

*****SPECIALS*******

1) Track Your Plot at the Scene Level Webinar
Learn to Maximize the 7 essential plot elements in every scene (one of 7 essential plot elements in every scene is CONFLICT) from the comfort of your own home.

*****

Knowing what to write where in a story with a plot allows for a more loving relationship with your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts inThe Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing

Today, I write.

To familiarize yourself with the basic plot terms used here and in the PW Book of Prompts:

1) Watch the plot playlists on the Plot Whisperer Youtube channel.
2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3) Fill out the exercises in The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories
4) Visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter

Thematic Significance of Stories

First, he writes a rough draft of what sounds like an exciting middle grade novel filled with external dramatic action, likable characters, rich historical events and meaning.

Next, he's slogs through a re"vision" process that includes re-plotting his story after attending a plot workshop with me, reading The Plot Whisperer: Secrets of Story Structure Any Writer Can Master and The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories and, before pulling the entire story together in one massive rewrite, he signs up for a plot consultation.

He sends me his first stab at a thematic significance statement for his story. I recommend he pin the statement on the wall where he'll see it, write it on the bathroom mirror, whatever. Every time he works on his rewrite, he'll consider the statement and revise as he sees fit. By the end of the entire rewrite, the exact thematic significance statement will have emerged.

As he rewrites and evaluates his statement, I encourage him to ask himself if the general themes are reflected throughout the story. For instance: if the need for telling the truth is needed for the protagonist to prevail at the end and included in his thematic significance statement, ask himself if that is spot on. Is it telling the truth or is it something else, deeper perhaps that she must learn?

Look throughout the story for instances or references to the themes you mention in the overall thematic significance statement. Your story isn't so much about digging deep so perhaps that isn't a true fit. Your story doesn't reflect the idea of digging deep as much as letting go, taking the plunge?

Keep exploring themes in a similar way. What other themes do you find in your story. Do any of those belong in your statement? What about forgiveness? Whatever you add or subtract to the statement needs to be reflected throughout the story.

I don't want him to perfect his themes now. Rather, I want him to organize his notes and then rewrite the story from beginning to end. He's more than ready. He knows his story and characters and setting and plot. As he writes, themes will emerge and he'll acknowledge and further incorporate them. I encourage him to challenge himself to complete the rewrite on a specific date. Then work backwards to determine how many pages he intend to write daily to accomplish his goal / challenge.

*****

Knowing what to write where in a story with a plot allows for a more loving relationship with your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts inThe Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing

Today, I write.

To familiarize yourself with the basic plot terms used here and in the PW Book of Prompts:

1) Watch the plot playlists on the Plot Whisperer Youtube channel.
2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3) Fill out the exercises inThe Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories
4) Visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter

Why Bother Grasping Plot Concepts?

Q: Writers grow a little pale when thinking about plot. They feel constrained about the idea of thinking about plot, they don’t quite understand what it is and why it’s important. So my first question is to have you define plot, and tell us why a writer needs to understand why they need to grasp the concepts and skills of plot for their novel, memoir, screenplay.

A: Let me begin by saying that plot and structure are not constraining. Plot and structure actually give a writer the form and function for her story and then leave everything else up to her.

In The Plot Whisperer: Secrets of Story Structure Any Writer Can Master, I cover in great detail the benefits of identifying your weaknesses and strengths as a writer and how to determine if you have more of a preference for right brain functions versus left brain dominance or are more balanced between the two.

Don’t get me wrong; the book is not a guide to the brain. It is a book about plotting that also functions as a spiritual or an emotional guide to writing. Writing is emotional. You face obstacles that unleash angst, which leads to procrastination. My intention in shining a light on how the two hemispheres of the brain affect your writing is to allow you to acknowledge and face the difficulties you encounter, difficulties that are reflections of your strengths and weaknesses. In self-knowledge comes the courage to compensate for your weaknesses and the ability to rely on your strengths.

In every story something happens (dramatic action plot) to change or transform the protagonist (character emotional plot) overtime and in a meaningful way (thematic significance plot).

Whether you understand that as a big picture concept or as a linear, scene-by-scene idea depends heavily on your strengths and weaknesses as a writer.

*****

Knowing what to write where in a story with a plot allows for a more loving relationship with your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts inThe Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing

Today, I write.

To familiarize yourself with the basic plot terms used here and in the PW Book of Prompts:

1) Watch the plot playlists on the Plot Whisperer Youtube channel.

2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master

3) Fill out the exercises in The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories

4) Visit:

Blockbuster Plots for Writers
Plot Whisperer on Facebook

Plot Whisperer on Twitter

Finding the Through-line, the Primary Plot

She stakes her claim on her story boldly and with confidence. Quickly, it becomes apparent to me that the writer is speaking in a different language. I stop her mid-sentence and ask her what happens at the climax of her story. She pauses and then continues. Still, in the foreign language. I stop her again.

"Rather than tell me about the special features and functions of the outer-space suits they're wearing and all the other technical details about the exotic world you've created for your story, tell me what the protagonist does at the climax."

She takes a stab at answering my question. Before she can leap back to her place of confidence and try to wow me with the authentic details of her story, I ask her what happens to the protagonist at the crisis of her story.

Again, another good attempt at an answer.

Not giving her a chance to say anything further, I ask her what affect the crisis has on the protagonist or, in other words, what does she learn at the crisis that helps her prevail at the climax?

The longer I probe and the deeper we dig, slowly the through-line or the primary plot that drives the external action of the story emerges. Unencumbered by the techie jargon and heavy details, the writer is free to roam the galaxy she's created in search of the dramatic action, character emotional development and thematic significance of her tale.

Yes, the authentic details she's dreamed up make her story unique and the establishment of all the inner workings of the story world is important.

Stepping back and evaluating the story at the overall plot and Universal Story level is essential.

Today, I write.

Knowing what to write where in a story with a plot allows for a more loving relationship with your writing. Whether writing a first draft or revising, if you falter wondering what comes next in a story with a plot, follow the prompts in The Plot Whisperer Book of Writing Prompts: Easy Exercises to Get You Writing.

To familiarize yourself with the basic plot terms used here and in the PW Book of Prompts:
1) Watch the plot playlists on the Plot Whisperer Youtube channel.
2) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
3) Fill out the exercises in The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories
4) Visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter

Subplots Fall Into Place

A fantastic subplot -- both riveting and taking place in an exotic locale -- spans from the beginning of the Middle to nearly the Crisis toward the end of the Middle. Based on the proposed length of the book, she has nearly 7,000 words left to write to reach the beginning of the End.

The writer begins to integrate a minor subplot that has wandered from draft to draft without a firm place in the historical novel the writer envisions and without any real purpose. Still, the writer clutches fast and hopes this is the right place for the minor subplot.

As she writes, all the energy she's created through the fantastic subplot fades and the impact of that subplot is diminished. Yes, the minor subplot foreshadows what occurs at the Crisis. Yet, to pull the story to the Crisis with the minor subplot becomes an impossibility and deflates all the work she's already written.

In our plot consultation, I jump to the Climax and press the writer for her thoughts and ideas about protagonist's ultimate transformation in the scene she envisions at the crowning glory of her story.

Before long, the exact right place for the minor subplot reveals itself and, for the first time, the writer understands the significance of the subplot to the primary plot and its influence on the character emotional development transformation.

To begin the Middle with the minor subplot allows the writer the scenes to prepare the reader and build the energy to the fantastic subplot and also to foreshadow and inform the Crisis to come.

The writer's delight that this minor subplot has suddenly found its place in her story is evident even over the airways all the way from Shanghai. It's almost as if the minor subplot pulls off the mask it's been hiding behind and reveals its true nature and ultimate power to the overall story.

"I can't believe it takes understanding the end of the story to truly understand what comes before," she exclaims.

The End defines the Beginning and the subplots in the Middle and just about every other important aspect of any great novel, memoir, screenplay.

Plot your story step-by-step with the help of The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories

More Plot Tips:
1) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master

2) Watch the Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. Scroll down on the left of this post for a directory of all the steps to the series. 27-step tutorial on Youtube

3) Watch the Monday Morning Plot Book Group Series on YouTube. Scroll down on the right of this post for a directory the book examples and plot elements discussed.

For additional tips and information about the Universal Story and plotting a novel, memoir or screenplay, visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter

A Case of Subplot Overload

Subplots reign in the Middle (1/2) of novels, memoirs, and screenplays. Developing a few is a good tip if you find yourself slogging through writing the Middle and tempted to go back and begin again.

Keep in mind: too great a proliferation of subplots confuse the splendor of the primary plot.

A character-driven story set in the exotic worlds of the Ivy League and Wall Street. Dysfunctional and self-abusive behaviors based on the archetypal back-story wound of having witnessed and taken part in the socially acceptable behavior and subtle practice of devaluating and belittling the mother by a cruel father and a pair of impressionable boys.

Each one of these elements forms a subplot that supports the thematic significance of the entire story as do the addictions that consistently take him down: bulimia, then pornography, and alcohol and drug abuse, and the steps he takes to heal.

Each of these subplots contribute to his primary plot. Contribute to... not overshadow.

Plot Tip:
Craft only the number of subplots necessary to best support the primary plot. Prioritize each subplot based on how each best contributes to the overall story.
Push minor subplots to the background or, when need-be, let them go entirely.
Remember: Not every subplot deserves a front-row seat in your story.

Plot your story step-by-step with the help of The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories)

For additional plot tips: Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master
2) Watch the Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. Scroll down on the left of this post for a directory of all the steps to the series. 27-step tutorial on Youtube

3) Watch the Monday Morning Plot Book Group Series on YouTube. Scroll down on the right of this post for a directory the book examples and plot elements discussed.

For additional tips and information about the Universal Story and plotting a novel, memoir or screenplay, visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter

Do you writes in layers, one or two layer per draft? Or do you write all the layers of your novel, memoir, screenplay at once?

And what are all these layers, you ask?

Emotion: evoking a range of emotions -- positive and negative -- in the reader through the characters' show of emotion.

Conflict, tension, suspense, urgency and curiosity: shaping the dramatic action to keep the reader turning the pages to learn what happens next.

Character transformation: showing a flawed character change overtime spiritually, emotionally, physically, or mentality or all of the above.

Thematic significance: bringing meaning to the story.

Relationships: revealing the complexity and intimacy of the characters in relationship to each other.

Sensory: using senses -- auditory, visual, tactile, taste, smell -- to transport the reader deeper and deeper into the story world.

1) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master (The companion workbook is coming this summer and available for pre-order now ~~ The Plot Whisperer Workbook: Step-by-step Exercises to Help You Create Compelling Stories)

2) Watch the Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. Scroll down on the left of this post for a directory of all the steps to the series. 27-step tutorial on Youtube

3) Watch the Monday Morning Plot Book Group Series on YouTube. Scroll down on the right of this post for a directory the book examples and plot elements discussed.

For additional tips and information about the Universal Story and plotting a novel, memoir or screenplay, visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter

Pre-NaNoWriMo Plot Key Scenes

Today's Monday Plot Book Group (click to watch the video) covers four key scenes or, in the Universal Story, Energetic Markers that are found in every novel, memoir, screenplay.

As early as possible, attempt to identify these four energetic markers and then allow the rest of the story fall into place around these key scenes.

The energetic markers are:
End of the Beginning Scene
The Halfway Point Scene
The Crisis
The Climax

For step-by-step guidance into pre-plotting your novel, memoir, screenplay, refer to:
The Plot Whisperer: Secrets of Story Structure Any Writer Can Master

For more about the Universal Story and writing a novel, memoir or screenplay, visit the Monday Plot Book Group series (A directory to this 2nd plot series is to the left of this post and scroll down a bit) and visit the first Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. (A directory of all the steps to the 1st plot series is to the right of this post.)
and visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook (we hope you "like" it)
Plot Whisperer on Twitter

Step Away from all the Words of Your Novel, Memoir, Screenplay

A writer says her story "tanks around page 25" and bores her even to try to rewrite.

I recommend she spend some time standing back from the words of her story and view the inner workings. In other words, analyze the structure before you worry too much about the details and even the words you write. 

A Plot Planner is a visual line that represents the invisible energy of the Universal Story. It enables you to assess the significance of your characters and the dramatic action of your story by seeing how all the scenes work together against the backdrop of the entire piece. Such a multilayered attentiveness to your story allows for a unique perspective into the deeper meaning of your story.

A plot planner gives a visual accounting of all the scenes in a story. It helps you compare scenes that heighten conflict and suspense to those quieter scenes that show the character in control. Each scene delivers more tension and conflict than the preceding scene and builds with intensity to the story’s climax. Standing back from all the words and viewing the story as a whole allows you to better determine the causality between scenes and the overall coherence of the story. With such an insight, you are able to turn scenes with emotionally rich characters who are experiencing conflict into the driving force behind an exceptional story.

The plot planner is a visual aid to help you write and finish your project in a way that pleases you and ultimately satisfies your readers, too.

Writers report that when they hit a rough patch and lose energy for their stories, merely a switch from writing to filling in a template stimulates their creative juices. Before writers know it, they are back to writing.

The Plot Whisperer: Secrets of the Universal Story Structure Any Writer Can Master released by Adams Media October 2011. NOW available now for pre-order!

For immediate tips about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. Enjoy!

5 Reasons Writers Get Stuck

1) Writers Balk at Plot

At the thought of plot and structure, writers’ palms turn sweaty and their hearts race. Why the visceral reaction? The act of creation generally comes from the right side of the brain and the linear, concrete structure of plot comes from the left, making structure for writers inherently counter-intuitive.

At some point, however, every writer, even those who work out their stories on the page, requires some sort of structure in which to present their work. Plot is the interweaving of character emotional development, dramatic action and thematic significance. In other words, someone acts or reacts. In so doing, that someone is changed and something is learned.

2) Writers Concentrate on Their Strengths, Forgetting that Plot is not Merely Action-driven Nor is it Only Character-driven

The rhythm of story telling is in all of us right now, especially for those of us who were read to as youngsters and continue to read fiction today. (PLOT TIP: The best way to becoming a better writer is to become a more voracious reader).

Natural born storyteller tap into this rhythm unconsciously and are able to weave all three plot lines without much conscious thought to structure. For the rest of us who have something to say and long to be heard or, in our case, read, our stories tend to turn out lopsided. Why? Because we get stuck either by concentrating on action only, forgetting that character makes up 70% of good fiction, or by delving into the inner-workings of characters with little regard for conflict, tension and suspense.

 

3) Writers Forget the Importance of Cause and Effect

The structure of story has remained essentially the same since the beginning of time. The elements that vary are the beat or tempo and the intensity. Take, for example, the current best seller The DaVinci Code by Dan Brown with its break-neck pace of action versus the more leisurely plot pace of the early 19^th century classic Emma by Jane Austen. Though the degree of intensity rises at differing speeds, both stories possess a strong element of suspense with cause and effect closely linked.

Without Cause and Effect, Tempo and Intensity a story can bog down and the writer gets stuck.

Of course, writers of today always have the option to give their readers the unexpected and slow things down. But whether you adhere to the current story telling standards or create your own, and whether you write thrillers, memoirs, historical or mainstream fiction, a firm understanding of the essence of plot helps to not only keep you going, but increases your chances of being published and enjoyed by readers.

 

4) Writers Tell Instead of Show the Story

Show, don’t tell. We’ve all heard it. Nevertheless, writers often get stuck on wanting to tell their story and thus end up writing in summary. Summary sums up or tells what happens over a period of time in your story. Summary is important, but it also puts distance between the reader and the story. Scene shows what happens as the action unfolds moment-to-moment on the page. Scene is immediate and draws the reader in close to the story.

Scene holds the same sort of structure as the overarching plot of a story, beginning with steps toward a goal or desire, followed by some sort of conflict and tension and ending with a cliff-hanger. Each scene has a tiny plot of its own. Understand scene and you begin to understand the essence of plot.

Scene focuses on motion with tension and conflict, and slows down the story speed for maximum effect. Not all scenes have really big events going on in them, but every scene holds layers and layers of information packed into the moment all at once written in detail. If you can convince the reader to trust you the small things up front, they will believe you in the big things to come.

All the high points in a story must be played out in scene on the page, moment-by-moment in real time. The technique of slowing things down forces the stakes in a story ever higher. At the same time, the stakes also rise for you as the writer. Many beginning writers hide from the pressure of creating scenes by relying on summary and narration. These same writers hold the mistaken belief that they can control things better by telling what happens rather than by showing in scene. My contention is if you break down scene to its smallest parts you retain control.

5) Writers Forget that the Craft of Writing Comes in the Deliberate Arrangement of Scenes

The muse flows into our imagination through visions and ideas, dreams and inspiration. However, once all the muse’s wonderful material is on the page, it is then up to the writer to organize the scenes in order to give them the biggest impact.

The first part of getting the story down on the page almost comes from outside of the writer. The biggest hurdles for the writer at this stage to overcome are resistance and the inner critic.

Once the material is on the page, however, is when the writer walks fully into their power as a writer. The biggest hurdle for the writer at this stage is full knowledge about the craft of writing itself.