Quit Plotting and Write

Get out of your head and into your body and write.

Don't worry about being brilliant for now. Stay in the moment of writing the scene. Revel in the partnership with the muse. Writers often complain about how lonely writing is. You're never alone. You're being held up and supported. Let it come.

Create a writing goal. Make it specific and achievable. Write it in the present tense as if it has already happened.

How many pages today to achieve your writing goal?

To attain your goal, surround yourself with writers who are actively striving toward their goals.

• Mark on the calendar the day you plan to finish this draft of your story.

• Assess what you have accomplished thus far in your story and determine the total number of pages you need to finish (or start) in order to reach the end. Multiple by 250 for the total number of words necessary to tell your story (250 words
per page). Divide that by the number of writing days between your goal date and today.

• Work your way backward on the calendar to determine how many words you need to write every writing day and approximately how much time you need to allocate to each session. You may find that to accomplish your goal you have to wake an hour earlier or stay up an hour later than you currently do. You might have to limit commitments and daily-life obligations in order to put yourself and your writing first.

• Schedule your writing days and times in pen on your calendar.

Dreams never leave. They hound, haunt, whisper, and beckon you nearer to that which you most fear. It is easy to quit. To reach that which you long for most, the treasure you seek, you first must write the story...

To familiarize yourself with the Universal Story and the basic plot terms in the above blog post:

1) Read The Plot Whisperer: Secrets of Story Structure Any Writer Can Master (Now also as a Kindle edition)

2) Watch the Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. 27-step tutorial on Youtube

3 Watch the Monday Morning Plot Book Group Series on YouTube. A directory the book examples and plot elements discussed is to the left of this post.

For additional tips and information about the Universal Story and plotting a novel, memoir or screenplay, visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter

What Do You Stand to Lose?

I've fallen into the habit of asking writers to fill out the Character Emotional Development Plot Profile for themselves as well as for their protagonist. One question more than all others reveals depth of passion.

QUESTION: What do you stand to lose if you do not accomplish your writing goal?

WRITERS' ANSWERS:

I've lost my way and haven't been able to find it again

The evil voices will be proven correct

Sanity

My story will not make it into the world

Self-respect

Me

My self-esteem

A sense of accomplishment before the real deadline

Self-fulfillment

Peace of mind

In the work I do with writers, I offer guidance about plot and structure and meaning in relationship to the protagonist's ultimate transformation. I also strive to provide insight into the writer's journey.

Writing is a solitary activity and can make you feel cut-off and separate and alone. Until, that is, you attend your first writers conference, join a critique group, form a writing group, read blogs like this one. 

Everyone who creates something out of nothing questions themselves. Who am I to write?

All writers revise endlessly.

No one knows what they truly are writing about. 

Every writer is shy about the choices they make. 

My greatest hope for you is to remember we all start a story the same--one word on the page at a time and to encourage you to feel your way to how this next author answers when asked the same question: 

What do you stand to lose if you are unsuccessful at achieving your writing goal?

Not a thing. Everything is as it should be...

Happy Birthday Blockbuster Plots

Blockbuster Plots Pure & Simple (BBP) turns six years old today!

Never I will forget the many times I limped from my writing cave, whining that I need more time, the book isn't good enough, I'm not good enough. Over and over again, my very supportive, finger-pointing husband banished me back to my cave to finish.

BBP had many editors, one of whom is the famed Melanie Rigney and one-time editor of Writers Digest. Even so, the first printing was filled with typos. I didn't even see them. The moment I held the bright red ball of light in my hands, I was... geez, every adjective I reach for is so cliched and unfitting for the actual moment of sublime contentment, awe, love, excitement...

That night I interviewed bestselling mystery writer Laurie R. King with my red book beside me. Blockbuster Plots Pure & Simple rarely left my side that first year.

The heavily flawed first printing sold out quickly, thank goodness. I continue to edit and change and add big and little issues in every printing since then. (My deep desire is to write a 2nd edition...)

My gift to you for visiting this blog is just to say keep at it. Whether your first attempt or hundredth story, there is nothing like finishing and seeing your words in print and receiving reactions from readers, satisfied and otherwise... And, even more profound? You'll be transformed in the process...

(Oh, and in honor of the august occasion, I'm discounting all the Blockbuster Plot tools for writers. The deals are up on Blockbuster Plots for Writers.)

Stamina for Writers

Received the following from a writer I'm working with:

"Through our time together, I've come to realize that writing is all about stamina!! I had NO idea how much THINKING and CONNECTING goes into a story.  I've done technical writing/reports/research for years but none compares with the effort necessary to craft a story. Novel writing is also much more intriguing and fulfilling." 

The writer is crafting a complicated murder mystery with many suspects, thus all the "thinking" and "connecting" he has to do. 

I am pleased he finds novel writing intriguing and fulfilling because as soon as he moves from plotting and planning, his true writer's journey begins.

Every protagonist embarks on a journey that sends her both externally and internally into, as yet, undiscovered places. A writer does, too. 

The uncertainty of creating something out of nothing often sends a writer spiraling into depression, confusion, blocks, and frustration. The more sensitive the writer, the deeper the abyss. 

"If you can do something else," an early writing instructor advised the class. "Do it."

If you can't silence the whispering or still the pen to paper, proceed with a willing heart. Trust the process. Magic happens....

Where the Wild Things Are

Used Where the Wild Things Are by Maurice Sendak with a group of 15 8 - 10 year old kids. 7 kids opted for private secretaries made up of teen volunteers and other Friends of the Library board members. One of the seven needed brainstorming support only. The other six benefitted from someone else performing the fine motor skills necessary to actually write the story down on paper. Whether they wrote the story themselves or used the help of another, all the kids finished stories in 2 1/2 hours which will now be made into a book by a local publisher for the kids and local library.

Where the Wild Things Are is a classic example of the Universal Story (the paradox of life = that which is simple/small is actually huge. That which is big is actually not much at all.)

The Beginning (1/4) introduces Max, establishes his goal = to be a wild thing, shows his flaw = stubborn and belligerent, and strength = enormous imagination.

The End of the Beginning (page twelve of 37 pages) occurs when his bedroom is no longer a bedroom but a forest. 

The Middle (1/2) begins at the precise moment Max undertakes his journey. In the Middle, Max encounters antagonists = dragon of the sea, rough water, Wild Things. The entire middle (6 pages), has no text and shows the unusual, exotic world in which Max now resides = Wild Things making wild rumpus.

Crisis ensues ((3/4 mark = page 29) when Max turns lonely and longs to be where someone loves him best of all.

The End (1/4) begins when he smells good things to eat from far across the world. Though his new friends beg him not to leave, off Max sails.

The Climax comes one page before the end of the book when he is able to shed his wolf suit (metaphor for his wildness) and settle down enough to eat his dinner (something he was completely unable to do at the beginning of the story. He needed to go through everything he does in order to gain the skills necessary to appreciate his ordinary world.)

Simple? Yes. Timeless? The book has lasted for 46 years and the movie is soon to be released.

Sometimes we as writers make things too hard. This simple story is about character transformation which is the basis for every great story. Analyze the plot and structure of your story with this in mind. Hope it helps simplify the underpinnings so you can work your magic in the details.

Literary Fiction and Plot

A writer requests help for her character-driven, literary masterpiece and then spends our time together moaning fears of how the use of plot corrupts her literary pursuit. She worries what the professors in her graduate program will say.

Having just finished reading two award-winning literary novels: The Elegance of the Hedgehog by Muriel Barbery and Run by Ann Patchett in quick succession, I wonder how many literary novels the writer in question has read. She is confused about what plot really is and how useful to any writing endeavor.

In the Elegance of the Hedgehog, not only do the two main characters move from living in their head to their hearts at the arrival of a mysterious stranger, the book finally develops a plot and becomes an actual page-turning story. And, it is precisely then, when the two character's open their hearts and begin to express actual feelings beyond spite and bitterness and resentment and judgement of others and look inward to the part they themselves play in creating their own misery that the reader in turn begins to emotionally connect to the characters and, finally, care desperately about what happens to them.

The publisher of Run, Jonathan Burnham of HaprerCollins, says of the New York Times bestseller, "The story, although it's intricately plotted, is really driven by the characters." (NOTE: isn't all great fiction???) Yes, we love the characters Ann Patchett breathes life onto the page. But, what makes the book impossible to put down is due to her amazing plotting skills (she is the mistress of plot twists).

When did plot get such a bad name in literary circles? Why the intense fear that creative writing withers and dies within plot and structure?

Plotting the Climax of Your Story

In the End -- the final 1/4 of the entire page or scene count, the protagonist still has foes to confront and overcome. Only now, she is armed with a new understanding of herself. For the first time, her goal is within reach.

The Climax at the end serves as the light at the end of the tunnel. The protagonist moves toward the light -- one step forward toward the ultimate transformation, three steps back, a fight for a couple of steps, being beat backwards.

The Climax is the crowning glory of the entire project. The Climax is where protagonist "shows" in scene her acting in a transformed way -- in a way she could not have acted in any other part of the story because she first needed to experience everything she does in the book to get to the final stage.

The Climax spotlights the character in full transformation demonstrating the necessary new skill or personality, gift or action.

Ask yourself what scene will most dramatically show her demonstrating her transformed self?