Backstory versus Front Story

Watch your delivery of backstory ~ the story of what, in the past, made the character who they are today (in story time). 

Writers want to cram everything right up front. 

"I know all their history, why would I want to withhold it from the reader?" 
"I wrote it that way." 
"It's the good part." 

Writers spend lots of time imagining and writing every little detail about a character's past, be it for a child or an adult. So, of course, writers would want to tell everything right away. Perhaps, in the process, even show off a bit how clever they are. Until, one understands how curiosity works. 

Not telling everything makes the reader curious. Curiosity draws the reader deeper into the story world. The reader wants to fill in the "who," "what," "how" (the "where" and "when" have already been clearly established right up front to ground the reader). They keep reading. This is good.

Tell the reader only what they need to know to inform that particular scene. This is especially true in the Beginning (1/4 mark). During the first quarter of the project, the character can have a memory. But, for a full-blown flashback, where you take the reader back in time in scene, wait until the Middle. 

(PLOT TIP: If you're absolutely sure you absolutely have to include the flashback, try using one when you're bogged down in the middle of the middle.)

Click on green highlighted plot concepts for further explanations via video. Each time a concept is referenced you are directed to new information about the Universal Story and writing a novel, memoir or screenplay.

Visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. Enjoy!

Order The Plot Whisperer: Secrets of the Universal Story Structure Any Writer Can Master NOW and receive it in time to pre-plot for NaNoWriMo in November!

2 Major Story Settings

Stories generally have at least two major settings.

A story is about a character transformed over time in a meaningful way by the dramatic action. In order to make this character transformation more dramatic, writers convey who the character is within the safety of a world that is familiar to her or at least not as threatening as the next world or setting she is thrust into. The reader meets the protagonist in her usual environment and defines the beginning quarter of the story.

The heart of the story begins the moment the protagonist leaves her ordinary world. Upon entering the middle of the story world, the protagonist is confronted with the second setting: a new and exotic world. The more unusual the new world is in its surroundings, mind-set, and demands upon the protagonist, the more unusual are her experiences, explorations, endurance, and quest for survival.

The exotic world itself creates tension, conflict, and suspense merely by its unfamiliarity to the protagonist; thus, it produces a sense of overarching tension. As well, in the new world, the old rules with which the protagonist is familiar and the beliefs she grew up with no longer apply.

As in real life, in stories when one door closes another opens. The protagonist enters a new world, be it a new physical place or a new psychological state. This new world offers the opportunity to evolve and be transformed.

Writers experience this exotic new world when they move from dabbling and talking about their story to actually writing everyday.

Click on green highlighted plot concepts for further explanations via video. Each time a concept is referenced you are directed to new information about the Universal Story and writing a novel, memoir or screenplay.

Visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. Enjoy!

Order The Plot Whisperer: Secrets of the Universal Story Structure Any Writer Can Master NOW and receive it in time to pre-plot for NaNoWriMo in November!

A Writer Hits a Brick Wall

One day our writing flows. The next day we open the exact same manuscript and freeze.

A writer under contract has an advantage in this situation over a writer who is not under contract is that the writer who is being paid to write the book cannot surrender to the doubt. She must find a way to push forward or lose the money, her dreams, the contract.

Take for instance a writer who has two wildly successful novels out with a third on its way and a three-book deal awaiting his attention. Usually a robust writer, on his third book, nothing seems to be working. Even after input from his agent, each time he opens the manuscript, he freezes.

He knows the history and timeline inside and out. He knows the protagonist inside and out, the same character he spent time with in the previous two books. He knows the dramatic action front story goal and has written the story from beginning to end. Something is missing.

Two things come out in the plot consultation:
1) The protagonist is too passive and does not transform
2) A femme fatale is a minor secondary character

A passive protagonist usually translates on the page to mean the character has no passion.

To get the protagonist moving pair him with an equal or better antagonist. Who better than the femme fatale? Readers love relationships. Relationships involve emotion. Chemistry, energy, excitement, passion all come alive through people interacting in real and meaningful ways for a higher good, something the characters and the readers believe in.

The writer finishes the consultation relieved to have plan though he believes there is so much work left to reshape the manuscript. Me? I believe that when he introduces the femme fatale earlier, he'll likely find everything the story needs is all right there. The story is ready to wrap itself around the relationship. The relationship forces the protagonist into action, will make him stumble and fall from grace, and ultimately be transformed.

For immediate tips about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. Enjoy!

Order The Plot Whisperer: Secrets of the Universal Story Structure Any Writer Can Master NOW and receive it in time to pre-plot for NaNoWriMo in November!

The Evolution a Book -- Part Two: Finding an Agent

Back in the dark ages, someone I admired advised holding out for an agent who is wild about your work. Not just someone who likes your story or someone who is impressed because of your platform or track-record but choose her because she is enthusiastic about you and your work.

In Part One: the Vlog, I write about meeting my agent Jill Corcoran of the Herman Agency. Jill's enthusiasm radiates from her in the words she speaks and the pitches she writes. The day I met her at a weekend writers retreat lasted until after dark. A month or so later, I was lucky enough to hang out with her for nearly a week during one of my plot retreat in the redwoods. I found her to be even more knowledgeable and energetic and generous than the 1st time I met her. I love her heart and how much she loves books and writing and poetry and authors and what I teach.

In response to pitching mainstream, national publishers for the second edition of Blockbuster Plots Pure and Simple, Jill immediately received two offers. The choice was not a difficult one to make. The acquisition editor of Adams Media came back not with an offer for the 2nd edition to BBP but instead with a request for a book based on this blog. Now that wisp of inspiration is The Plot Whisperer: Secrets of the Universal Story Structure Any Writer Can Master

All this was happening as Cathy and I continued filming our vlogs. By Step 12: How Do I Plot the Middle of a Novel, Memoir, Screenplay, the The Plot Whisperer book was visioned by Paula Munier and I was hooked.

By Step 22: How Do I Plot the Beginning of the End of a Novel, Memoir, Screenplay, thanks to the powerhouse team of Jill and the founder of the agency Ronnie Herman, the contract was finalized and thanks to a patient and supportive husband, the manuscript turned in.

Part Three: Working with an Editor

For immediate tips about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. Enjoy!

Order The Plot Whisperer: Secrets of the Universal Story Structure Any Writer Can Master NOW and receive it in time to pre-plot for NaNoWriMo in November!

The Evolution a Book -- Part One: Creating a Vlog

Thanks I get from writers for the Plot Series: How Do I Plot a Novel, Memoir, Screenplay? is an added gift.

I did the vlog (which I later learned means a video blog) on a lark with my friend Cathy Cress , fiction writer and expert on the aging family and sibling warfare. My vlogs are on plot for writers. Cathy's vlogs Mom Loves You Best - Forgiveness are on sibling reconciliation and forgiveness which grew out of her own life, her writing and her lifelong work. While I filmed her, I was struck how writers could benefit from the juicy and touching and horrific sibling stories she relates for creating more realistic familial back-stories and antagonists in stories and also for tips on how to heal your own personal sibling back-story.

I brought up the idea of creating vlogs. Sight unseen, no explanations needed, Cathy was in. Cathy's latest book: Mom Loves You Best - Forgiveness was just released. The month before I had met my soon-to-be agent at a writers retreat where I was teaching plot and she was teaching about voice and being her -- a high-energy light. Jill Corcoran of the Herman Agency loves my plot teaching. I love everything about her.

Cathy and I both created a youtube channel, bought a flip camera and started filming mostly because we wanted to share our passions.

Cathy's and my spontaneity and rookie filming is evidenced in the first video -- Step One: How Do I Plot the Dramatic Action Plot. If either Cathy or I had heard LingLing (the dog barking) we would have stopped filming and opened the gate. I heard nothing, not even the sound of my own voice or what I was saying. We followed outlines on giant Post-It Notes -- Cathy's amazingly plotted out. Mine more by the seat of your pants.

The series evolved from our own gardens to using cool local landmarks as backdrops on Step Five: How Do I Plot the Three Major Plot-lines in a Novel, Memoir, Screenplay.

Another rookie mistake revealed itself in Step Ten: How Do I Plot the Beginning of a Novel, Memoir, Screenplay.

where it appears a man is mooning the camera. I was oblivious. Obviously, Cathy was too.

By Step Eleven: How Do I Plot Turning Points in a Novel, Memoir, Screenplay. the Santa Cruz Traveling Mystery Tour was born.

Cathy and I laughed our way through the steps, while my brand new (to me) amazing agent Jill pitched mainstream, national publishers for the second edition of Blockbuster Plots Pure and Simple.

Part Two: The vision for a Plot Whisperer book materializes...

For immediate tips about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. Enjoy!

Order The Plot Whisperer: Secrets of the Universal Story Structure Any Writer Can Master NOW and receive it in time to pre-plot for NaNoWriMo in November!

Deconstruct the Protagonist

Fascinating plot consultation today. The writer knows how she wants the story to end -- the Climax -- and needed support to find a way to get there. 

I have found that writers who know the end of the story early on in the writing of a story often are able to stay on track more easily than writers who have no idea where they are going (though if you're one who has no idea of the end, eventually you'll finish the first draft and know the Climax and thus, have the same advantage as the writer who knows the Climax before starting out). 

Either way, knowledge of the climax determines so many of the earlier decisions you need to make. 

The action the protagonist takes at the climax reveals what traits, knowledge, and skills are necessary for her to prevail. Thus, these necessary skills will be missing at the beginning and she will need relearn or rediscover them throughout the middle. Some skills she will be learning for the first time, but the true skills necessary for success at the climax are rediscovered after having been lost or buried due to her backstory. This is a backward approach to developing a character, deconstructing the end character to determine who she is at the beginning.

Most writers write with a forward approach to developing a character. You fill in a flaw, a strength, and five other character traits on the character profile. Either you begin writing first and the character reveals these traits to you, or you decide upon the character traits first and then construct a character using those traits. However, today was the writer who represent those who write from the climax back to the beginning.

What kind of writer are you?

All of this information and will be found in:
The Plot Whisperer: Secrets of the Universal Story Structure Any Writer Can Master released by Adams Media October 2011. Order NOW and receive it in time to pre-plot for NaNoWriMo in November!

For immediate tips about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. Enjoy!

Details, Transformation, and The Universal Story

Often, the writers who excel in conveying just the right details in a scene or depth of emotion through subtle body language during dialogue have a strength in visual perception and visual memory. 

Judging from the number of writers who have commented on the fact that I wear red (one of the brand colors of BBP) in all the videos on my Plot Series  vlog where I address plot issues in the Beginning and the Middle of novels, memoirs, and screenplays, I take heart that their stories resonate with subtle thematic clues. 

A much smaller number of writers have noted the switch from red to purple in the videos pertaining to plotting the End of a story (to show the outward change signifying the character's ultimate transformation in the Universal Story).

Writers have a tendency to get stuck in their heads, focus on themselves, and look inward rather than outward. They obsess about the stories they write to the point that they often miss the details of the world around them. 

Close your eyes. How many objects in the room you are sitting in can you describe in detail? 

Pull yourself out of a conversation you are having with another person and watch the interchange, as if watching a movie. 

Memorize the words the other person speaks. Note what she holds back and how she conveys meaning through nonverbal communication. 

Recount the last conversation you had. What did the other person say? Your answers, or lack thereof, may surprise you. 

Look at the details that surround you. What do they convey about where you are on your writer’s journey? 

What can you let go of, both tangible and intangible, to move nearer to who you dream of being? 

Whenever you are not writing, pay attention to the world around you and what others are saying. Jot down notes in your journal that you carry with you everywhere. Tune into the details of the natural world. The practice gets you out of your head and produces gems for the theme, mood, and nuance of your story. 

Most of a writer’s genius comes in the art of the finesse. How finely you craft your project before you let it go is up to each individual writer. 

The Plot Whisperer: Secrets of the Universal Story Structure Any Writer Can Master released by Adams Media October 2011. NOW available now for pre-order!

For immediate tips about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. Enjoy!

Step Away from all the Words of Your Novel, Memoir, Screenplay

A writer says her story "tanks around page 25" and bores her even to try to rewrite.

I recommend she spend some time standing back from the words of her story and view the inner workings. In other words, analyze the structure before you worry too much about the details and even the words you write. 

A Plot Planner is a visual line that represents the invisible energy of the Universal Story. It enables you to assess the significance of your characters and the dramatic action of your story by seeing how all the scenes work together against the backdrop of the entire piece. Such a multilayered attentiveness to your story allows for a unique perspective into the deeper meaning of your story.

A plot planner gives a visual accounting of all the scenes in a story. It helps you compare scenes that heighten conflict and suspense to those quieter scenes that show the character in control. Each scene delivers more tension and conflict than the preceding scene and builds with intensity to the story’s climax. Standing back from all the words and viewing the story as a whole allows you to better determine the causality between scenes and the overall coherence of the story. With such an insight, you are able to turn scenes with emotionally rich characters who are experiencing conflict into the driving force behind an exceptional story.

The plot planner is a visual aid to help you write and finish your project in a way that pleases you and ultimately satisfies your readers, too.

Writers report that when they hit a rough patch and lose energy for their stories, merely a switch from writing to filling in a template stimulates their creative juices. Before writers know it, they are back to writing.

The Plot Whisperer: Secrets of the Universal Story Structure Any Writer Can Master released by Adams Media October 2011. NOW available now for pre-order!

For immediate tips about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. Enjoy!

Emotional Guide for Writers

Writing is emotional. 

You face obstacles that unleash angst, which leads to procrastination.

My intention in writing

The Plot Whisperer: Secrets of the Universal Story Structure Any Writer Can Master is to shine a light on the spiritual journey writers undertake when writing a novel, memoir, and screenplay. 

Stand back from your story and your own life and acknowledge the bliss you encounter and find the courage to face the difficulties, difficulties that are a reflection of where you are on your own individual Universal Story. Knowing your own strengths and weakness gives you the courage to compensate for your weaknesses and the ability to rely on your strengths. 

Writing (life) isn't about what you should do and could do or need to do. 

Writing is about believing entirely in yourself and the support that surrounds you.

Get through it (the the middle of your novel, memoir, screenplay anyway possible) and get to the other side (the end).Then see what you have.

The Plot Whisperer: Secrets of the Universal Story Structure Any Writer Can Master released by Adams Media October 2011 is now available now for pre-order.

For immediate tips about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. Enjoy!

The Universal Story

Thanks to the plot consultations I do with writers from all over the world, the plot workshops and retreats I’ve taught and the novels, memoirs and screenplays I've analyzed, I have come to believe that every scene in every book is part of a Universal Story that flows throughout our lives, both in our imaginations and in the reality that surrounds us.

Every story ever told participates in this universal pattern as words grow and expand into sentences, paragraphs, and chapters. What is left after the end of the story has the potential to transform not only the writer but all those who read the story as well.

I teach the Universal Story to writers through plot. Though difficult to accomplish successfully, plot is critical to stories. As I continue to teach and write and consult, I gain new insights into plot . . . and into writers’ lives.

You bring to your writing, your art, and your stories a piece of yourself. In return, the act of creating gives you the possibility of something even greater: true transformation.

The better your understanding of how to integrate the energy of the Universal Story into your story, you come to understand yourself better. You begin to see your writing in a different light. The ways you interact with your writing and with the world around you shifts.

Be forewarned, though. Writing a story can expand your everyday life; it can also destroy the person you are now. Commit to your own journey as your protagonist embarks on hers. Explore your true essence. Whether you emerge from the experience better or worse is your choice. But I believe the act of writing offers you the possibility of transformation.

Your imagination allows you to see worlds invisible to others. Imagine the Universal Story into reality and reclaim a miraculous and mysterious way of being.

More about the Universal Story is coming in The Plot Whisperer: Secrets of the Universal Story Structure Any Writer Can Master in October and is now available for pre-order. 

In the meantime, for tips about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. Enjoy!