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30 November 2011

2011 PlotWriMo ~~ Think Different

Tomorrow begins International Plot Writing Month and you are joyfully invited! Visit the Plot Whisperer blog here everyday beginning Thursday the 1st and throughout December.

PlotWriMo, also affectionally known as PostNaNoPlotPerfection, came about three years thanks to friend and short story writer Mary Eastham who had successfully completed NaNoWriMo and was left with -- what do I do now?

Every December for the past three years the Plot Whisperer blog has been dedicated to answering that question for NaNoWriMo writers everywhere.

This year is a bit different.

Feedback from writers about the The Plot Whisperer: Secrets of Story Structure Any Writer Can Master has inspired me to dedicate 2011 PlotWriMo to women writers everywhere resurrecting her dreams. Seems the book not only guides writers through creating a compelling plot for novels, memoirs and screenplays, the Plot Whisperer book also acts as a catalyst to women who have stopped writing though never forgotten the dream.

I am passionate about women's voices coming to the fore. Our left-brained, logical and linear world of today deserves the balance that can only come when paired equally with a right-brained, holistic and intuitive approach. Women hold that key.

While going through the steps during PlotWriMo, remember that most of the major works that have influenced your thinking have come primarily from a patriarchal point of view about women and our roles and expectations. Therefore, dig deep. Think different.

All this likely sounds like challenging work to the very writers I hope to inspire. Many women writers find plot and structure counter-intuitive... until seen through the Universal Story.

I get ahead of myself here.

All that for December...

See you tomorrow!

To familiarize yourself with the Universal Story and the basic plot terms we'll be using throughout December:
1) Watch the Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. 27-step tutorial on Youtube


3 Watch the Monday Morning Plot Book Group Series on YouTube. A directory the book examples and plot elements discussed is to the left of this post.

For additional tips and information about the Universal Story and plotting a novel, memoir or screenplay, visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter

28 November 2011

PlotWriMo: A Gift a Day throughout December

I learned about a family oversight from my niece Shreve Stockton, founder and author of The Daily Coyote. My 91-year-old mother never had her own advent calendar. When I was a kid, she cut and decorated advent boards for my three siblings and me and hung tiny gifts from hooks, one for each day until Christmas. When my sisters grew up and had their own families, they made and decorated advent boards for their children every year but never one for my mom... until this year. The delight in her voice is like a warm hug as she describes the gifts dangling in front of her and tempting her these last couple of days before the big day -- December 1st and start of the fun.

Imagine this blog during December as an advent board I cut and decorated just for you and ladened with an everyday shiny new gift taking you deeper into your story and yourself.

No peeking until the big day -- December 1st and PlotWriMo begins.

To familiarize yourself with the Universal Story and the basic plot terms we'll be using throughout December:
1) Watch the Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. 27-step tutorial on Youtube


3 Watch the Monday Morning Plot Book Group Series on YouTube. A directory the book examples and plot elements discussed is to the left of this post.

For additional tips and information about the Universal Story and plotting a novel, memoir or screenplay, visit:
Blockbuster Plots for Writers
Plot Whisperer on Facebook
Plot Whisperer on Twitter

27 November 2011

Monday Morning Plot Book Group -- the Climax Scene

How do you do endings? Do you put forth effort all the way to the very end? Do you give up before you reach the end? Do you throw something together just to have an end? Do you push yourself even harder to finish with a flourish? Do you stay in the moment of writing your story all the way to the end?

The countdown to the end of NaNoWriMo has started. Soon you'll have to remember your life before nanowrimo but for now, you've still got time to write a lot more words. Every word nearer you write to the end, the better off you'll be next month when we start in on PlotWriMo.

Because of PlotWriMo, there will be no Monday Morning Plot Book Group during December. We will reconvene in January. (NOTE: I did say in today's video that we'd likely make The Secret Garden the January selection. Read the POST for an explanation why we are NOT using The Secret Garden by Frances Hodgson Burnett... what fails as a climax scene, and why I gave a novel I remember as a favorite when I was a kid a 1-star out of a possible 5 on Goodreads)

November's book selection for Monday Morning Plot Book Group for Writers is
The Alchemist by Paulo Coelho.

The Alchemist has sold more than 65 million copies in 150 countries and been translated into 60 languages. I use Coelho's story to demonstrate some of the plot techniques from the Universal Story he used so effectively that his novel continues after nearly 30 years as an international bestselling phenomenon.

I chose Coelho's novel because his story inspires me and had a direct impact on The Plot Whisperer book. Watch how he creates the Climax of his novel.

For more support about the Climax scene:
1) Check out Chapter 11 of:
The Plot Whisperer: Secrets of Story Structure Any Writer Can Master (Now also sold as a Kindle edition)

2) Watch:

For more about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post.

21 November 2011

See the Crisis for What it is and Keep Writing

I'm trying something new today -- embedding the new video in the Plot Book Group Series in this blog post. It's a first for me. We'll see how it works.

(P.S. -- A big reason I'm talking about the Crisis today is because it's that time in November for Nanowrimo writers to be writing the Crisis.
In order to have a solid beginning, middle and end by November's end, write the Crisis today and tomorrow...)



For more support about the Crisis and highest point in the entire story so far:

1) Check out Chapter 10 of: The Plot Whisperer: Secrets of Story Structure Any Writer Can Master (Available as a Kindle edition)

2) Watch:

17 November 2011

When the Climax Fails, the Reader Suffers

In preparing for a plot talk for children's writers and the SCBWI San Francisco/South region last Saturday, I analyzed one of my favorite books from my childhood -- The Secret Garden by Frances Hodgson Burnett.

As I read and plotted out the scenes in the Beginning of the story, I was delighted to see all the effective foreshadowing (in 2 instances she shows Mary, the 10-year old protagonist, playing in dirt and attempting to plant cut flowers which foreshadows the passion she develops for the secret garden. She also foreshadows the presence of another child in the house with the sound of crying three times before Mary actually discovers the cause of the distressing sound.).

In the middle, relationships abound which is thematically rich in that Mary has never had a true and loving relationship with others and in order to become who she is meant to be, she must heal this divide. Each relationship becomes a subplot in the middle which is exactly where subplots belong.

Also in the middle, whenever the story seems to slow down or her circumstances become too ideal, there are plenty of plot twists thrown in which makes for an exciting read.

However... and this is an enormous however, the End of the story made me want to fling the book across the room and declare that the book is no longer a favorite of mine.

The energy of the story rises to a climax and thus, stays true to the needs of the Universal Story BUT is not at all satisfying in that the reader is committed to Mary's story and yet, as soon as she helps Colin -- the only son of the lord of the manor -- heal and become whole, she moves into the shadows never to be heard from again. The last 1/4 of the book becomes all about Colin.

This is not so surprising, when one considers that the book was published in 1911 (women's right to vote doesn't happen until 1920) and girls didn't have many options. Still... there is absolutely no climax OR resolution for Mary's plot line and thus, no resolution for all the young girls who love(d) this book.

In analyzing this book, I consider the impact the story must have had on me as a young girl. Though I read the book in the 50s or early 60s, my generation continued to have limited options -- nurse, teacher, secretary, mother...

Now, a young girl's options are limitless. She can be a leader, an artist, a visionary, an entrepreneur.

Please, when considering your story, reach, think different, stretch when it comes to writing the Climax of your story. Write lots of endings, push yourself to think outside the box, and then pick the one that feels thematically the strongest version.

Your protagonist's actions at the climax inspire the reader to think big and different and grow and evolve. Give the ending the time it needs and deserves to deliver the greatest impact.

For more support about the Climax and ending of your story:

1) Check out Chapter 11 & 12 of: The Plot Whisperer: Secrets of Story Structure Any Writer Can Master (Also available as a Kindle edition)

2) Watch:
For more about the Universal Story and writing the end of a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post. (a directory of the Plot Book Group with specific stories as examples is to the left of this post. Scroll down a bit to find it)

For more tips about how to use plot and the Universal Story in your novel, memoir or screenplay, visit:

15 November 2011

Check-point for NaNoWriMo Writers -- Recommitment Scene

In life and in stories, every moment is an opportunity to commit to moving forward. To continue to put one word after another deeper and deeper into the great unknown takes courage. To persevere when the primary plot gets tangled in subplots and plot twists and your story appears lost signifies a commitment that transcends logic and demonstrates a belief in the magic and mystery and miracle of the pull of the Universal Story.

You have found the courage to not only begin writing but to continue. Now, comes the time for both you and your protagonist to state and commit to her/your goal(s) at the halfway point of the Universal Story. When you/she does, you/she feels the energy in your/her life rise in significance. This energetic surge is a warning to the reader.
Wake up.
Be alert.
A crisis is coming.

Powerful antagonists leap in, and she/you quickly find her/yourself under siege, pummeled by forces intent on preventing her/your success. The energy of the story fills with more conflict, tension, suspense, and/or curiosity in every scene.

You have discovered that the energy of the Universal Story does not cease at thresholds. Instead, the energy of your story, of your life, of your world heightens. You have also discovered that the longer you dally at any barrier, the longer it takes to achieve your dreams.
  • Thrust yourself forward.
  • Send the protagonist on her way.
  • You are not alone.
  • The Universal Story will assist you
Excerpts from the above come from The Plot Whisperer: Secrets of Story Structure Any Writer Can Master.

For more support about the 2nd Energetic Marker and Recommitment scene for both you as a
writer and for your protagonist:

1) Check out Chapter 8 of: The Plot Whisperer: Secrets of Story Structure Any Writer Can Master (Also available as a Kindle edition)

2) Watch:

For more about writing the Middle of your novel, memoir, screenplay:

For more about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post.

For more tips about how to use plot and the Universal Story in your novel, memoir or screenplay, visit:

10 November 2011

Plot for Pantsers

Question via Twitter:
@plotwhisperer So what's the best way to plot as you write for those of us who are pantsers but need to meet deadlines? :) @JillKentAuthor Jillian Kent

Answer via Blogger:
Your query is a bit like hearing two non-harmonious sounds clash together -- Plot and Pansters.

1) Every story, whether written by a plotter or a pantser, must fulfill basic needs demanded by a reader -- something must happen (dramatic action plot) to someone (character emotional plot) in a meaningful way (thematic plot) = PLOT -- the noun. Thus, whether you plan it out ahead of time or write to discover as you go, your ultimate goal is to fulfill these basic requirement.

My first suggestion requires discipline so I am reluctant to use it. Somewhere along the line in history, discipline went from having at its core disciple to being a form of punishment. "You will be disciplined for breaking the rules."

So instead, why not apply the word ritual to what I suggest. Create for yourself a sacred ritual.

One time a day, everyday, preferably at the same time and place every session, write.

Another time of day, everyday, preferably at the same time and place every session study plot.

If you're a pantser, you'll like balk at lots of what you read both for how the information is presented and for the information itself. Lots of it will feel confusing and jarring, counter-intuitive.

Search for doors you're drawn to open when it comes to the new plot ideas. Explore the concepts. Look for them in your favorite books. Determine what authors you admire do to create in you admiration for their writing. The more you understand basic plot and structure based on the Universal Story, the more inclined you may become to plot -- the verb.

The more you understand the Universal Story, the less blind you fly. You're able to anticipate where your writing is taking you and take an active role in coaxing what comes into a pleasing form for the reader.

(Disclosure: the following is a shameful act of taking advantage of the sincere query above)
I wrote The Plot Whisperer book for women just like you, Jillian. Lots of my very best friends and family are right-brain, big picture creative, female pantser. Women who fly by the seat of their pants as they are constantly attempting to bring to material form the whimsy their imaginations whisper. I wrote the book for them and for you...

For more support about plot:

***I am giving away 4 free autographed copies of the book AND
and a Scene Tracker Kit.

To enter, simply comment on each of fourteen blogs that took part in the mega-blog book tour
and listed on the Master Schedule. As one writer says of the experience: "I feel like I just took in a 2 hour writing workshop in a few minutes." (when you have accomplished this feat, send me an email with your snail mail address and I'll ship your plot tools)

For more about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post.

08 November 2011

Secondary Characters Support Protagonist's Emotional Development

Secondary characters create depth in a novel, memoir, screenplay when they tie-into and support the development of the primary character (better understood as the protagonist's character emotional development).

A writer develops a secondary character based on patients he worked with in a previous day job. He has terrific authentic details, having spent so much time with one particular patient with special needs. The character (who is the protagonist's brother) is of great emotional importance to the protagonist. (The writer is writing what has long been espoused as a good practice for writers ~~ write what you know.)

The writer's front story (dramatic action plot) centers around drugs and money laundering and shady operations, guns and prison and betrayal. His writing strength appears to be developing dramatic action. When asked who his audience is, the writer has not yet considered such. The front story is high-stakes, exciting intrigue, which often resonates with male readers. Yet the protagonist is a woman. She is a "ballsy" woman to be sure, confident and fearless.

When asked how much of his story he wants to involve the other two plot lines ~~ character emotional development (which, at this point, is little, if at all, developed) and thematic significance, again he had no answers. Same reaction in response to whether he plans to include a romantic secondary plot line in his story.

I did not present these questions to baffle him or slow him down. I presented these questions to support him in broadening his scope of what he is doing both in his story and in his life as a writer...

He introduced and developed the secondary character in order to bring heart to the protagonist's character and thus, develop her character emotional development plot. Yet, because he is writing what he knows about patients with special needs, he concentrated on describing the secondary character's behavior without tying those elements directly to the protagonist or give the reader a sense of the impact those behaviors have on the protagonist and even more importantly, how those behaviors influenced the protagonist's backstory development.

Because the secondary character having special needs does not play into the dramatic action plot (in other words, such afflictions are not necessary for the development of the primary plot), I suggest that rather than devote so much time to the development of the secondary character, use his afflictions to deepen the readers understanding and appreciation of the protagonist instead. Her backstory wound of being ignored by her parents in favor of attending to the brother's special needs, bleeds into her everyday life in undercover as she is betrayed by not only the bad guys but the good guys, too.

For more support about the role of Secondary Characters in novels, memoirs, and screenplays:
1) Check out Chapter 6 of:The Plot Whisperer: Secrets of Story Structure Any Writer Can Master (Now also sold as a Kindle edition)

2) Watch:

***I am giving away 4 free autographed copies of the book AND
and a Scene Tracker Kit.

To enter, simply comment on each of fourteen blogs that took part in the mega-blog book tour
and listed on the Master Schedule. As one writer says of the experience: "I feel like I just took in a 2 hour writing workshop in a few minutes." (when you have accomplished this feat, send me an email with your snail mail address and I'll ship your plot tools)

For more about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post.

06 November 2011

Monday Morning Plot Book Group -- End of the Beginning Scene

If you are participating in NaNoWriMo, this blog post is of special interest to you because it falls on the day you need to be writing the End of the Beginning scene in your story to stay on schedule and complete your entire novel, memoir, screenplay by the last day of November. (To learn how to pre-plot your writing time and ensure you end the month of November with a solid beginning, middle and end to your story. To read more...)

November's book selection for Monday Morning Plot Book Group for Writers is
The Alchemist by Paulo Coelho.

The Alchemist has sold more than 65 million copies in 150 countries and been translated into 60 languages. I use Coelho's story to demonstrate some of the plot techniques from the Universal Story he used so effectively that his novel continues after nearly 30 years as an international bestselling phenomenon.

I chose Coelho's novel because his story inspires me and had a direct impact on The Plot Whisperer book.

Last week -- 1G you are asked to: Insert on your story's Plot Planner a post-it note that represents the Climax of your story.

This week -- 1H, you are asked to: Insert on your story's Plot Planner a post-it note that represents the End of the Beginning scene of your story.

For more support about the End of the Beginning scene:
1) Check out Chapter 8 of:
The Plot Whisperer: Secrets of Story Structure Any Writer Can Master (Now also sold as a Kindle edition)

2) Watch:

***I am giving away 4 free autographed copies of the book AND
and a Scene Tracker Kit.

To enter, simply comment on each of fourteen blogs that took part in the mega-blog book tour
and listed on the Master Schedule. As one writer says of the experience: "I feel like I just took in a 2 hour writing workshop in a few minutes."

For more about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post.

04 November 2011

Plot the Beginning of Your Novel, Memoir, Screenplay

Take a moment to assess where you are in writing your story now that you're 4 days into NaNoWriMo.

To ensure that you stay on track and write a solid beginning, middle and end by the end of November, stand back from your writing for a minute and consider the following.

Tuesday marks the day you and your protagonist enter the exotic world.

Begin opening up to the idea of pulling the beginning together so you're sure to be writing the End of the Beginning scene on Monday.

For support:
Plotting the Beginning
Energy Anatomy of Stories
Plot the Dramatic Plot
Plot the Character Emotional Development Plot
The Three Major Plotlines

***I am giving away 4 free autographed copies of The Plot Whisperer: Secrets of Story Structure Any Writer Can Master AND
and Scene Tracker Kit (which includes Blockbuster Plots Pure & Simple).

To win, simply comment on each of fourteen blogs that took part in the mega-blog book tour
listed on the Master Schedule. As one writer says of the experience: "I feel like I just took in a 2 hour writing workshop in a few minutes."

For more about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post.

01 November 2011

Plot Book Group for Writers

Last month's book selection for the Monday's Plot Book Group for Writers is Change of Heart by Jodi Picoult. (I'm a bit behind due to the mega-blog tour and release of The Plot Whisperer book. My apologies for the delay.)

Last week - 1F- you were asked to:
- Determine the 4 Energetic Markers for your story.

This week - 1G you are asked to:
- Insert on your story's Plot Planner a post-it note that represents the Climax of your story.

For more support about the Climax, check out Chapter 11 of:

Next week's book selection is The Alchemist by Paulo Coelho.


***I am giving away 4 free autographed copies of the book AND
and a Scene Tracker Kit.

To enter, simply comment on each of fourteen blogs that took part in the mega-blog book tour
and listed on the Master Schedule. As one writer says of the experience: "I feel like I just took in a 2 hour writing workshop in a few minutes."

For more about the Universal Story and writing a novel, memoir or screenplay, visit Plot Series: How Do I Plot a Novel, Memoir, Screenplay? on YouTube. A directory of all the steps to the series is to the right of this post.